Black culture and museum institutions have often had a negative relationship. Historically, this has included the theft of cultural objects, the appropriation of styles, and the devaluation of skilled practices, as well as the marginalization and exclusion of Black artists from exhibitions and collections. Museums have been implicated in antiblack practices that present racial difference as biological fact rather than social construction, and exclude, marginalize, and devalue Black art, Black artists, and Black life. Recognizing this, About Things Loved: Blackness and Belonging centers a diverse array of Black art in the hope of addressing these questions: To whom does blackness belong? Where does blackness belong? How can blackness belong within the museum?