Abstract Impressionism
Exploring the concept of 鈥淎bstract Impressionism鈥 often proposed as a distinction between European abstraction and American Abstract 鈥淓xpressionism鈥.
When the critic Pierre Gu茅guen referred to Andr茅 Lanskoy鈥檚 鈥渋mpressionnisme abstrait鈥 in the catalogue of the artist鈥檚 1957 exhibition at Galerie Louis Carr茅, it was a much debated term, often proposed as a distinction between European abstraction and American Abstract 鈥淓xpressionism鈥. The implication being that European abstract painters more often derived their inspiration from the external optical perception of the physical world, as opposed to the American 鈥淎b Ex鈥 self-referential narrative of manifesting the inner emotions of the artist鈥檚 psyche or 鈥渟oul鈥.
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Exploring the concept of 鈥淎bstract Impressionism鈥 often proposed as a distinction between European abstraction and American Abstract 鈥淓xpressionism鈥.
When the critic Pierre Gu茅guen referred to Andr茅 Lanskoy鈥檚 鈥渋mpressionnisme abstrait鈥 in the catalogue of the artist鈥檚 1957 exhibition at Galerie Louis Carr茅, it was a much debated term, often proposed as a distinction between European abstraction and American Abstract 鈥淓xpressionism鈥. The implication being that European abstract painters more often derived their inspiration from the external optical perception of the physical world, as opposed to the American 鈥淎b Ex鈥 self-referential narrative of manifesting the inner emotions of the artist鈥檚 psyche or 鈥渟oul鈥.