ARTISTS
Alicja Kwade: A Trillionth of a Second
An unimaginable unit of time marks that moment in which we can detect the first traces of the Universe: gravity was created in the first trillionth of a second following the Big Bang, and out of this, matter. Our understanding of this is the starting point for Alicja Kwade鈥檚 exhibition A Trillionth of a Second.
Computer, lamp, iPhone, mirror: almost a contemporary still life. With these items, the autobiographical interior of an artist unfolds itself. It is her own broken, now-defunct property that Alicja Kwade presents here. They are objects which emerge time and again in her work. Suddenly, an entirely different still life emerges from therein: bowls that remind one of ceramics. They are made of finely ground functional objects. Pulverized and cast in new forms, they here live second lives as cups and vases. Their original components, as well as their exact volumes, have not been changed in the process.
In this process of transformation, Alicja Kwade engages with questions of reality and our perception of the world. Is there such a thing as fundamental, evident truth? On which subjects is it possible for us to reach objective insight? And to what extent is it possible for us to reach agreement on this?
Alicja Kwade鈥檚 skeptical approach towards objects reminds us that everything that materializes does so as the result of a process that happens at random and at a particular moment in time 鈥� whether the result of this process then becomes a lamp or a bowl. What do we see, how do we name it? Can a computer simultaneously also be a vase?
With her installations and sculptures, Alicja Kwade addresses the big questions: How do we describe the world? What are the roles played by material, form, and language? Through her transformations, she makes possible a new view of meaning, value, and terminology.
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An unimaginable unit of time marks that moment in which we can detect the first traces of the Universe: gravity was created in the first trillionth of a second following the Big Bang, and out of this, matter. Our understanding of this is the starting point for Alicja Kwade鈥檚 exhibition A Trillionth of a Second.
Computer, lamp, iPhone, mirror: almost a contemporary still life. With these items, the autobiographical interior of an artist unfolds itself. It is her own broken, now-defunct property that Alicja Kwade presents here. They are objects which emerge time and again in her work. Suddenly, an entirely different still life emerges from therein: bowls that remind one of ceramics. They are made of finely ground functional objects. Pulverized and cast in new forms, they here live second lives as cups and vases. Their original components, as well as their exact volumes, have not been changed in the process.
In this process of transformation, Alicja Kwade engages with questions of reality and our perception of the world. Is there such a thing as fundamental, evident truth? On which subjects is it possible for us to reach objective insight? And to what extent is it possible for us to reach agreement on this?
Alicja Kwade鈥檚 skeptical approach towards objects reminds us that everything that materializes does so as the result of a process that happens at random and at a particular moment in time 鈥� whether the result of this process then becomes a lamp or a bowl. What do we see, how do we name it? Can a computer simultaneously also be a vase?
With her installations and sculptures, Alicja Kwade addresses the big questions: How do we describe the world? What are the roles played by material, form, and language? Through her transformations, she makes possible a new view of meaning, value, and terminology.
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