ARTISTS
All Crescendo, No Reward
All Crescendo, No Reward is an exhibition of works from the Zabludowicz Collection that explores the formation and re-formation of subjecthood and objecthood. It is structured around three major moving image installations by Matt Copson, Oliver Laric and Frances Stark. While distinct in atmosphere and character, the works are underscored by questions of mortality and time, and share an ambitious and playful use of animation, music and theatrical staging devices. Each of the artists blur the boundaries between contemporary art and other cultural spheres and periods, drawing inspiration from opera, neoclassical and baroque sculpture, hip hop and children鈥檚 cartoons.
The notion of 鈥榯he loop鈥� is central to the show, with the circulation of images and ideas felt across the exhibition. Contained within the narratives and imagery of the works is a constant flux between desire and the frustration of that desire. In the Main Hall, sculptures by artists including Lynda Benglis, Walead Beshty, Nikita Gale and Isa Genzken are installed. In these pieces, readymade or familiar objects are reconfigured or partially destroyed, and recombined to produce new material presences.
The exhibition marks the start of a year of programming celebrating the 30-year anniversary of the Zabludowicz Collection. Starting life in London in 1994, the Collection continues to evolve and grow, driven by a passionate desire to support emerging and experimental practices, respond to new modes of art making, and share these discoveries 颅鈥� free of charge 鈥� with the public.
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All Crescendo, No Reward is an exhibition of works from the Zabludowicz Collection that explores the formation and re-formation of subjecthood and objecthood. It is structured around three major moving image installations by Matt Copson, Oliver Laric and Frances Stark. While distinct in atmosphere and character, the works are underscored by questions of mortality and time, and share an ambitious and playful use of animation, music and theatrical staging devices. Each of the artists blur the boundaries between contemporary art and other cultural spheres and periods, drawing inspiration from opera, neoclassical and baroque sculpture, hip hop and children鈥檚 cartoons.
The notion of 鈥榯he loop鈥� is central to the show, with the circulation of images and ideas felt across the exhibition. Contained within the narratives and imagery of the works is a constant flux between desire and the frustration of that desire. In the Main Hall, sculptures by artists including Lynda Benglis, Walead Beshty, Nikita Gale and Isa Genzken are installed. In these pieces, readymade or familiar objects are reconfigured or partially destroyed, and recombined to produce new material presences.
The exhibition marks the start of a year of programming celebrating the 30-year anniversary of the Zabludowicz Collection. Starting life in London in 1994, the Collection continues to evolve and grow, driven by a passionate desire to support emerging and experimental practices, respond to new modes of art making, and share these discoveries 颅鈥� free of charge 鈥� with the public.
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鈥淎ll Crescendo, No Reward鈥� is an exhibition of works from the Zabludowicz Collection that explores the formation and re-formation of subjecthood and objecthood.
