ARTISTS
叠补谤谤茫辞: Teia 脿 Toa
The exhibition "Teia 脿 Toa" presents a cross-section of the production of the carioca artist 叠补谤谤茫辞 over the last 20 years. Held by the Oscar Niemeyer Museum (MON), the exhibition will be inaugurated on July 10 at 7pm in Room 3.
Curated by Luiza Mello, it brings together around 70 works in multicolored ceramics, monochrome sculptures in resin and bronze, watercolors and installations. This is the artist's first solo exhibition in Curitiba.
"By bringing exhibitions like 叠补谤谤茫辞's to the public, MON stands out as one of the most important spaces for contemporary art in Brazil," says the Secretary of State for Culture, Luciana Casagrande Pereira. For her, 叠补谤谤茫辞's exhibition invites us to see beauty, meaning and poetry where before there was only discard. "It is this transformative power of art that we want to stimulate more and more, bringing the public closer to thought-provoking and meaningful experiences," she says.
"Draughtsman, painter, sculptor and multimedia artist, 叠补谤谤茫辞 reuses everyday objects and scrap metal, giving them new meanings. Intuitive, he reconfigures broken or damaged utilitarian objects, turning them into surprising and creative works," explains MON director Juliana Vosnika.
"The result is almost an allusion to life, to the imponderable that often destroys predictions and leaves us only the possibility of adaptation," she says. "叠补谤谤茫辞 instigates by inverting the original meaning of the objects with humor, irony and poetry," says Juliana.
The curator says that over more than four decades, 叠补谤谤茫辞 has developed a language marked by intuition and transformation in the combination of everyday elements - recognizable objects taken from our domestic and urban universe. "In his studio, shelves house pieces from different origins - accumulated and organized by criteria that are as intuitive as they are enigmatic. From these fragments come hybrid sculptures that defy functions and styles, always shot through with humor and irony," he says.
She explains that the title of the exhibition is an invitation to walk through a forest of shapes and colors where everything is connected by invisible threads. "Like spiders weaving their webs in the air, 叠补谤谤茫辞 works by combining pre-existing objects and pieces of objects - broken and glued ceramics, objects molded and fused to other materials, pieces of objects organized into improbable compositions," says Luiza. "Resin, bronze, china: each element carries the memory of what was and now presents itself as part of something bigger."
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The exhibition "Teia 脿 Toa" presents a cross-section of the production of the carioca artist 叠补谤谤茫辞 over the last 20 years. Held by the Oscar Niemeyer Museum (MON), the exhibition will be inaugurated on July 10 at 7pm in Room 3.
Curated by Luiza Mello, it brings together around 70 works in multicolored ceramics, monochrome sculptures in resin and bronze, watercolors and installations. This is the artist's first solo exhibition in Curitiba.
"By bringing exhibitions like 叠补谤谤茫辞's to the public, MON stands out as one of the most important spaces for contemporary art in Brazil," says the Secretary of State for Culture, Luciana Casagrande Pereira. For her, 叠补谤谤茫辞's exhibition invites us to see beauty, meaning and poetry where before there was only discard. "It is this transformative power of art that we want to stimulate more and more, bringing the public closer to thought-provoking and meaningful experiences," she says.
"Draughtsman, painter, sculptor and multimedia artist, 叠补谤谤茫辞 reuses everyday objects and scrap metal, giving them new meanings. Intuitive, he reconfigures broken or damaged utilitarian objects, turning them into surprising and creative works," explains MON director Juliana Vosnika.
"The result is almost an allusion to life, to the imponderable that often destroys predictions and leaves us only the possibility of adaptation," she says. "叠补谤谤茫辞 instigates by inverting the original meaning of the objects with humor, irony and poetry," says Juliana.
The curator says that over more than four decades, 叠补谤谤茫辞 has developed a language marked by intuition and transformation in the combination of everyday elements - recognizable objects taken from our domestic and urban universe. "In his studio, shelves house pieces from different origins - accumulated and organized by criteria that are as intuitive as they are enigmatic. From these fragments come hybrid sculptures that defy functions and styles, always shot through with humor and irony," he says.
She explains that the title of the exhibition is an invitation to walk through a forest of shapes and colors where everything is connected by invisible threads. "Like spiders weaving their webs in the air, 叠补谤谤茫辞 works by combining pre-existing objects and pieces of objects - broken and glued ceramics, objects molded and fused to other materials, pieces of objects organized into improbable compositions," says Luiza. "Resin, bronze, china: each element carries the memory of what was and now presents itself as part of something bigger."
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