ARTISTS
Berthe Morisot and the art of the 18th Century: Watteau, Boucher, Fragonard, Perronneau
From 18 October 2023 to 3 March 2024, the Mus茅e Marmottan Monet will present a very special exhibition, entitled Berthe Morisot and the Art of the 18th Century. The exhibition is curated by art historians Marianne Mathieu and Dominique d鈥橝rnoult, with the participation of Claire Gooden, Head of Conservation at the Mus茅e Marmottan Monet. Sixty-five art works from French and international museums, as well as private collections are brought together here for the first time to highlight the links between the work of the first female Impressionist Berthe Morisot (1841-1895) and the art of Antoine Watteau (1684-1721), Fran莽ois Boucher (1703-1770), Jean-Honor茅 Fragonard (1732-1806), and Jean-Baptiste Perronneau (1715-1783). Based on an analysis of mainly unpublished sources (letters, press clippings, and notebooks belonging to Berthe Morisot and her husband Eug猫ne Manet and their entourage) and an in-depth genealogical study, this exhibition and the corresponding catalogue shed new light on a subject often mentioned by historians yet never having been the focus of dedicated and exhaustive research. While it has been demonstrated that Berthe Morisot is not Fragonard鈥檚 great-grand-niece and had no family ties to him, the exhibition nevertheless emphasizes the veritable foundations of their artistic affinities, retracing the chronology of their development, as well as their main characteristics.
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From 18 October 2023 to 3 March 2024, the Mus茅e Marmottan Monet will present a very special exhibition, entitled Berthe Morisot and the Art of the 18th Century. The exhibition is curated by art historians Marianne Mathieu and Dominique d鈥橝rnoult, with the participation of Claire Gooden, Head of Conservation at the Mus茅e Marmottan Monet. Sixty-five art works from French and international museums, as well as private collections are brought together here for the first time to highlight the links between the work of the first female Impressionist Berthe Morisot (1841-1895) and the art of Antoine Watteau (1684-1721), Fran莽ois Boucher (1703-1770), Jean-Honor茅 Fragonard (1732-1806), and Jean-Baptiste Perronneau (1715-1783). Based on an analysis of mainly unpublished sources (letters, press clippings, and notebooks belonging to Berthe Morisot and her husband Eug猫ne Manet and their entourage) and an in-depth genealogical study, this exhibition and the corresponding catalogue shed new light on a subject often mentioned by historians yet never having been the focus of dedicated and exhaustive research. While it has been demonstrated that Berthe Morisot is not Fragonard鈥檚 great-grand-niece and had no family ties to him, the exhibition nevertheless emphasizes the veritable foundations of their artistic affinities, retracing the chronology of their development, as well as their main characteristics.
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