黑料不打烊

Even with gloves, collecting a tangled specimen of thorny vines into a box is a precarious situation. Like a frenzied cat, the thorns spur out in all directions, their firm stems snap, rebound, and unfurl. Attempting to curl them into more manageable forms is natural. And perilous. Consider yourself enchanted if you get through the entire endeavor without scratches or punctures. And once you think you鈥檝e bound them? They pierce through the sides of the box. Refusing to be contained.

An exhibition of Black Metal artworks is a thorny occasion. Summoned by Amelia Ishmael, 鈥淏lack Thorns in the White Cube鈥� is a traveling exhibition presenting a selection of photography, prints, drawings, and artist books by eight contemporary artists who are influenced by the heavy, dark, and mystic obscurity of Black Metal music. Based in the United States and Europe participating artists include Alexander Binder (Stuttgart, Germany), Vincent Como (Brooklyn), Terence Hannum (Baltimore), Karlynn Holland (Brooklyn), Elodie Lesourd (Paris, France), Aaron Mett茅 (Brooklyn), Grant Willing (Brooklyn), and Tereza Zelenkova (London, England). Engaging with the symbols, history, and myths of the Black Metal music subculture, their images explore haunted Germanic forests, descents into the void, visual translations of sonic experiences, ontologies of Black Metal band logos, and barren western landscapes. Together their artwork contributes to the discourse currently occurring in Black Metal theory, examines the innovations and significance of contemporary Black Metal visual art, and offers an account of its critical disruptions.

Thick gloves are not required attire to view this exhibition, but we cannot hold ourselves accountable for any cerebral wounds inflicted during your experience.

Amelia Ishmael is an artist whose practice includes critiquing, historicising, teaching, and curating other artists' practices. She has shared her gleanings on Black Metal and Contemporary Art at conferences internationally, including the Black Metal Theory Symposium in London and the Home of Metal Conference in Wolverhampton, U.K. Her writings have also appeared in ArtSlant, Art Papers, and Review. She received a BFA in Photography and New Media from the Kansas City Art Institute and a MA in Modern Art History, Theory, and Criticism from the School of the Art Institute of Chicago, and was an Urban Culture Project studio resident.