ARTISTS
Caliban in the Mirror: Exquisite Terribleness
Gray鈥檚 transcontinental studio practice is informed by cultural hybridity, body politics, and global pop culture. Pulling from his archive of documentary images taken in Ghana, and photographs taken as personal photographer to Michael Jackson in the 80鈥檚, Gray produces temporal and spatial schisms by juxtaposing decontextualized images in overlapping, found frames in low relief compositions. In afrofuturist aesthetic, he combines sculpture and photography to create ambiguous 鈥渢hird鈥� objects that provide the viewers with a multiplicity of perspectives of layered space and time that aid in problematizing singularity.
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Gray鈥檚 transcontinental studio practice is informed by cultural hybridity, body politics, and global pop culture. Pulling from his archive of documentary images taken in Ghana, and photographs taken as personal photographer to Michael Jackson in the 80鈥檚, Gray produces temporal and spatial schisms by juxtaposing decontextualized images in overlapping, found frames in low relief compositions. In afrofuturist aesthetic, he combines sculpture and photography to create ambiguous 鈥渢hird鈥� objects that provide the viewers with a multiplicity of perspectives of layered space and time that aid in problematizing singularity.
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