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Seemingly arbitrary set pieces punctuate the park, which upon closer examination develop an iconography oscillating between the nefarious and the wholly permissive. Architecture turns punitive, and absolute transparency absorbs any refuge of privacy, risking the boundary between aesthetic purity and the pornographic. Out of this virtual template, a zone of collaborative habitation one step removed from the world, Carver, Schoolwerth, and Singer derive new vocabularies for painting, scrutinizing the dangers implicit to current social relations as a schematic for constructing new institutions of organized living.
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Seemingly arbitrary set pieces punctuate the park, which upon closer examination develop an iconography oscillating between the nefarious and the wholly permissive. Architecture turns punitive, and absolute transparency absorbs any refuge of privacy, risking the boundary between aesthetic purity and the pornographic. Out of this virtual template, a zone of collaborative habitation one step removed from the world, Carver, Schoolwerth, and Singer derive new vocabularies for painting, scrutinizing the dangers implicit to current social relations as a schematic for constructing new institutions of organized living.
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