黑料不打烊

鈥淐oncerning Concrete Poetry鈥� presents the unique qualities of archives of concrete poetry as well as the national and international connections between them. The exhibition includes a comprehensive display of British concrete poets Bob Cobbing鈥檚 and Peter Mayer鈥檚 collections and takes its title and guiding principle from their recently reprinted seminal publication 鈥淐oncerning Concrete Poetry鈥�(1978/2014). This book contains a compilation of statements and chronologies of concrete, visual, and sound poetries and aims to define an analysis, history, and manifesto for the genre. In a similar manner, the exhibition describes the terms 鈥榗oncrete鈥�, 鈥榮emantic poetry鈥�, and 鈥榗oncrete renewal鈥� within a contemporary environment that includes a series of events with artists, writers, and performers.

Examples of works by Henri Chopin, Dom Sylvester Hou茅dard, and Emmett Williams from Mayer鈥檚 and Cobbing鈥檚 collections will be shown alongside selected artefacts and historical material. Importantly, the project also focuses on artists from outside of the UK with a specific accent on concrete poets from Germany, respectively on works by the 鈥楽tuttgart group/school鈥�, including such prominent artists as Max Bense, Reinhard D枚hl, and Helmut Hei脽enb眉ttel. These and other seminal works of concrete poetry originate from the collection of Reinhard D枚hl, located at ZKM | Center for Art and Media in Karlsruhe. Furthermore the exhibition includes prints and portfolios by Hansj枚rg Mayer, whose early career also took place in Stuttgart before he moved to the UK in the 1960s, with his studio still situated in London. A substantial selection of work by Mayer and the numerous artists that he collaborated with through bookmaking in the late 1960s connect the two contextual and geographical lines of the project.

The exhibition 鈥淐oncerning Concrete Poetry鈥� also presents wider counter-cultural ephemera connected to the concrete poetry movement, such as posters, magazines, and limited edition artworks, and describes the intertwined current double-helix between design, typography, poetry, literature, and the visual arts, as well as the parallel histories of Conceptual Art, Mail Art, and Fluxus in their local and international forms. A comprehensive events programme invites performers and speakers whose activities are closely involved with research into the continued relevance of the medium for all aspects of visual culture. In addition, a vinyl record containing recent sound poetry designed by artist and graphic designer Scott King will be co-published by Badischer Kunstverein and Slimvolume Press. The record鈥檚 insert contains recent interviews with Hansj枚rg Mayer and Peter Mayer, while the former artist has also designed the poster for this exhibition.