Crafted Selves: The Unfinished Conversation
Crafted Selves: The Unfinished Conversation takes its title from a continuing discourse between curator Cat Dunn and the 13 Scotland based artists featured – What does it mean to have a dual identity, and how is this sense of self reflected in work being made by Scottish craft artists today?
Working in sculpture, painting, ceramics, textiles, installation, moving image films and creative writing responses, the artists all in some way carry a dual identity. Many have a sense of their own self born from having a cultural heritage which is both Scottish and one which is rooted in another cultural home. The show also explores other dualisms and expressions of identity, including artists who express their, sexuality, disability, or trans and non-binary selves through their work.
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Crafted Selves: The Unfinished Conversation takes its title from a continuing discourse between curator Cat Dunn and the 13 Scotland based artists featured – What does it mean to have a dual identity, and how is this sense of self reflected in work being made by Scottish craft artists today?
Working in sculpture, painting, ceramics, textiles, installation, moving image films and creative writing responses, the artists all in some way carry a dual identity. Many have a sense of their own self born from having a cultural heritage which is both Scottish and one which is rooted in another cultural home. The show also explores other dualisms and expressions of identity, including artists who express their, sexuality, disability, or trans and non-binary selves through their work.
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The curator of Crafted Selves: The Unfinished Conversation, at St Andrews Museum in Scotland, talks about how she chose the 13 artists in the show, all of whom explore dual identity in their work, whether that be to do with race, sex or disability