黑料不打烊


Cyprien Gaillard: Today Diggers, Tomorrow Dickens

09 Nov, 2013 - 21 Dec, 2013

Gladstone Gallery is pleased to present our first exhibition with Cyprien Gaillard, 鈥淭oday Diggers, Tomorrow Dickens.鈥 For this ambitious and complex presentation, Gaillard has created two complementary bodies of sculptural works that explore notions of regeneration, ruination, and decay, turning his eye to the relationship between evolution and erosion 鈥 a thread that weaves through much of his work. Navigating the concept of the altered readymade through an anthropological lens, Gaillard has incorporated processed natural and industrial materials to achieve an equilibrium that reflects the way in which our society simultaneously progresses and reverts in the realm of the bleak.

Inspiration for the exhibition title came from a series of mural slogans used to conceal a raw building site, home of the future performing arts center in Beverly Hills. Intended as a playful tag suggesting the inconvenience caused by ongoing construction as being an experience worth enduring, the slogan struck Gaillard as ironic. As a Dickensian universe connotes poverty, hardship, and ruin, Gaillard thought that the message, rather than suggesting progression and growth, hinted at a reversion to darker times. The works that Gaillard has created for the exhibition evoke this contradiction, inviting viewers to consider the ways in which our vision of progress simultaneously leads us back toward a more dismal landscape and unyielding reality.


Gladstone Gallery is pleased to present our first exhibition with Cyprien Gaillard, 鈥淭oday Diggers, Tomorrow Dickens.鈥 For this ambitious and complex presentation, Gaillard has created two complementary bodies of sculptural works that explore notions of regeneration, ruination, and decay, turning his eye to the relationship between evolution and erosion 鈥 a thread that weaves through much of his work. Navigating the concept of the altered readymade through an anthropological lens, Gaillard has incorporated processed natural and industrial materials to achieve an equilibrium that reflects the way in which our society simultaneously progresses and reverts in the realm of the bleak.

Inspiration for the exhibition title came from a series of mural slogans used to conceal a raw building site, home of the future performing arts center in Beverly Hills. Intended as a playful tag suggesting the inconvenience caused by ongoing construction as being an experience worth enduring, the slogan struck Gaillard as ironic. As a Dickensian universe connotes poverty, hardship, and ruin, Gaillard thought that the message, rather than suggesting progression and growth, hinted at a reversion to darker times. The works that Gaillard has created for the exhibition evoke this contradiction, inviting viewers to consider the ways in which our vision of progress simultaneously leads us back toward a more dismal landscape and unyielding reality.


Artists on show

Contact details

530 West 21st Street New York, NY, USA 10011
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