Darina Meagher: Radioactive Memory
Introduced to Orson Welles鈥 iconic film, Citizen Kane, as a student at the
National College of Art and Design in the 1980鈥檚, artist Darina Meagher now
revisits the film to explore the concept of 鈥榬adioactive memory鈥. Citizen
Kane opens with Kane on his deathbed murmuring his last word 鈥淩osebud鈥.
Throughout the film, 鈥淩osebud鈥 is the enigma which the narrator seeks to solve.
It is described as a radioactive memory by Peter Bradshaw, in the Guardian
Newspaper. According to Bradshaw:
Rosebud is more probably Welles鈥檚 intuition of the illusory flashback effect
of memory that will affect all of us, particularly at the very end of our lives:
the awful conviction that childhood memories are better, simpler, more real than
adult memories 鈥 that childhood memories are the only things which are real. The
remembered details of early existence 鈥 moments, sensations and images 鈥 have an
arbitrary poetic authenticity which is a by- product of being detached from the
prosaic context and perspective which encumbers adult minds, the rational
understanding which would rob them of their mysterious force. (25 April
2015)
Through a call-out, Meagher has gathered stories and images that trigger
childhood memories for the respondent, each one just as authentic to its owner
as 鈥淩osebud鈥 was to Kane.
Recommended for you
Introduced to Orson Welles鈥 iconic film, Citizen Kane, as a student at the
National College of Art and Design in the 1980鈥檚, artist Darina Meagher now
revisits the film to explore the concept of 鈥榬adioactive memory鈥. Citizen
Kane opens with Kane on his deathbed murmuring his last word 鈥淩osebud鈥.
Throughout the film, 鈥淩osebud鈥 is the enigma which the narrator seeks to solve.
It is described as a radioactive memory by Peter Bradshaw, in the Guardian
Newspaper. According to Bradshaw:
Rosebud is more probably Welles鈥檚 intuition of the illusory flashback effect
of memory that will affect all of us, particularly at the very end of our lives:
the awful conviction that childhood memories are better, simpler, more real than
adult memories 鈥 that childhood memories are the only things which are real. The
remembered details of early existence 鈥 moments, sensations and images 鈥 have an
arbitrary poetic authenticity which is a by- product of being detached from the
prosaic context and perspective which encumbers adult minds, the rational
understanding which would rob them of their mysterious force. (25 April
2015)
Through a call-out, Meagher has gathered stories and images that trigger
childhood memories for the respondent, each one just as authentic to its owner
as 鈥淩osebud鈥 was to Kane.
Artists on show
Contact details
