ARTISTS
Debbie Han: Being
10 Feb, 2012 - 18 Mar, 2012
Sungkok second museum exhibition in 2012 [BEING: Debbie a 1985-2011] 展 to be held. As long as David left U.S. immigration Corian American elementary school currently splits his time between South Korea and the United States is actively engaged in work activities.
The exhibition at the Museum of Sungkok national residency program at the end of 2003 while participating in the work that began seven years in Korea and the United States during the last task in one place, was set for dolahbogi together. 60 carefully selected pieces of the exhibition and several types of Venus, the person's body, so in general, combined with plaster or another writer's work is known world wide to understand and compare the development process leading up to today, a rare opportunity to becomewill
Life in Korea in the past seven years to one of the Devi's life was exotic. Country of birth, life and work in a stranger is not easy to summarize in one word. Artistic work and move around in Korea for a much more balanced in order to understand the context in the United States should work together some introduction. Early work in the United States, with operations in Korea during gyeonjueobon stranger within American society that he worried the whole time: 'Who am I,' 'What is alive' as a series of questions about the possibility of the existence, respectively. Korean-Americans, especially through the eyes of traditional culture and the unique dynamics of Korea, midaeipsi and art education system beyond cultural differences, served as an attractive and confusion. East and West as long as David or another 'value' of the problem, especially 'American' and 'art' on the 'relative value' of the problem began to concentrate on. He finally decided to stay in Korea and these troubles began paying - to work in a variety of formats.
Debbie to one's self and the possibility of art is more important than worrying about the question about the essence of life, respectively. Such continuous, ongoing questions and the meeting was the artist's work constantly to move objects and phenomena beyond the time fixed for the new light Trying to always maintain an attitude that has made the balance. Does not settle the present and of the world to overcome the existing values ??and prejudices established to expand and led to his commitment to overcome.For the construction of a fixed idea or not, you do not want to put down my hand, that the wishes towards something new, the reality of disinterested attachment to the world wishes to move out of the way of life was the driving force behind. Debbie is important in a job now, here is a recognition of reality. And based on that awareness about the value of a real and existing critical support, coping, on the contrary, amplification, is a gesture of expansion. David established the value of one job for the post (post) a strong aura imbued.
This exhibition made up largely divided into three spaces. Graduated from the University of immigration from the beginning to see before a wandering intellectual LA period (1985 to 1997), attending graduate school of social and human desire, structures, etc, turn your eyes to the world during New York (1998-2000) and the LA times (2001-2003), who visited the country to participate in the residency program working in Korea (2004-present), this is it. Due to the nature of museum exhibition space, an artist's past work, and David looked back to understand the current job that you want to try to guess the future work of half of the exhibition (半) was considered a retrospective nature.
The exhibition at the Museum of Sungkok national residency program at the end of 2003 while participating in the work that began seven years in Korea and the United States during the last task in one place, was set for dolahbogi together. 60 carefully selected pieces of the exhibition and several types of Venus, the person's body, so in general, combined with plaster or another writer's work is known world wide to understand and compare the development process leading up to today, a rare opportunity to becomewill
Life in Korea in the past seven years to one of the Devi's life was exotic. Country of birth, life and work in a stranger is not easy to summarize in one word. Artistic work and move around in Korea for a much more balanced in order to understand the context in the United States should work together some introduction. Early work in the United States, with operations in Korea during gyeonjueobon stranger within American society that he worried the whole time: 'Who am I,' 'What is alive' as a series of questions about the possibility of the existence, respectively. Korean-Americans, especially through the eyes of traditional culture and the unique dynamics of Korea, midaeipsi and art education system beyond cultural differences, served as an attractive and confusion. East and West as long as David or another 'value' of the problem, especially 'American' and 'art' on the 'relative value' of the problem began to concentrate on. He finally decided to stay in Korea and these troubles began paying - to work in a variety of formats.
Debbie to one's self and the possibility of art is more important than worrying about the question about the essence of life, respectively. Such continuous, ongoing questions and the meeting was the artist's work constantly to move objects and phenomena beyond the time fixed for the new light Trying to always maintain an attitude that has made the balance. Does not settle the present and of the world to overcome the existing values ??and prejudices established to expand and led to his commitment to overcome.For the construction of a fixed idea or not, you do not want to put down my hand, that the wishes towards something new, the reality of disinterested attachment to the world wishes to move out of the way of life was the driving force behind. Debbie is important in a job now, here is a recognition of reality. And based on that awareness about the value of a real and existing critical support, coping, on the contrary, amplification, is a gesture of expansion. David established the value of one job for the post (post) a strong aura imbued.
This exhibition made up largely divided into three spaces. Graduated from the University of immigration from the beginning to see before a wandering intellectual LA period (1985 to 1997), attending graduate school of social and human desire, structures, etc, turn your eyes to the world during New York (1998-2000) and the LA times (2001-2003), who visited the country to participate in the residency program working in Korea (2004-present), this is it. Due to the nature of museum exhibition space, an artist's past work, and David looked back to understand the current job that you want to try to guess the future work of half of the exhibition (半) was considered a retrospective nature.
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Sungkok second museum exhibition in 2012 [BEING: Debbie a 1985-2011] 展 to be held. As long as David left U.S. immigration Corian American elementary school currently splits his time between South Korea and the United States is actively engaged in work activities.
The exhibition at the Museum of Sungkok national residency program at the end of 2003 while participating in the work that began seven years in Korea and the United States during the last task in one place, was set for dolahbogi together. 60 carefully selected pieces of the exhibition and several types of Venus, the person's body, so in general, combined with plaster or another writer's work is known world wide to understand and compare the development process leading up to today, a rare opportunity to becomewill
Life in Korea in the past seven years to one of the Devi's life was exotic. Country of birth, life and work in a stranger is not easy to summarize in one word. Artistic work and move around in Korea for a much more balanced in order to understand the context in the United States should work together some introduction. Early work in the United States, with operations in Korea during gyeonjueobon stranger within American society that he worried the whole time: 'Who am I,' 'What is alive' as a series of questions about the possibility of the existence, respectively. Korean-Americans, especially through the eyes of traditional culture and the unique dynamics of Korea, midaeipsi and art education system beyond cultural differences, served as an attractive and confusion. East and West as long as David or another 'value' of the problem, especially 'American' and 'art' on the 'relative value' of the problem began to concentrate on. He finally decided to stay in Korea and these troubles began paying - to work in a variety of formats.
Debbie to one's self and the possibility of art is more important than worrying about the question about the essence of life, respectively. Such continuous, ongoing questions and the meeting was the artist's work constantly to move objects and phenomena beyond the time fixed for the new light Trying to always maintain an attitude that has made the balance. Does not settle the present and of the world to overcome the existing values ??and prejudices established to expand and led to his commitment to overcome.For the construction of a fixed idea or not, you do not want to put down my hand, that the wishes towards something new, the reality of disinterested attachment to the world wishes to move out of the way of life was the driving force behind. Debbie is important in a job now, here is a recognition of reality. And based on that awareness about the value of a real and existing critical support, coping, on the contrary, amplification, is a gesture of expansion. David established the value of one job for the post (post) a strong aura imbued.
This exhibition made up largely divided into three spaces. Graduated from the University of immigration from the beginning to see before a wandering intellectual LA period (1985 to 1997), attending graduate school of social and human desire, structures, etc, turn your eyes to the world during New York (1998-2000) and the LA times (2001-2003), who visited the country to participate in the residency program working in Korea (2004-present), this is it. Due to the nature of museum exhibition space, an artist's past work, and David looked back to understand the current job that you want to try to guess the future work of half of the exhibition (半) was considered a retrospective nature.
The exhibition at the Museum of Sungkok national residency program at the end of 2003 while participating in the work that began seven years in Korea and the United States during the last task in one place, was set for dolahbogi together. 60 carefully selected pieces of the exhibition and several types of Venus, the person's body, so in general, combined with plaster or another writer's work is known world wide to understand and compare the development process leading up to today, a rare opportunity to becomewill
Life in Korea in the past seven years to one of the Devi's life was exotic. Country of birth, life and work in a stranger is not easy to summarize in one word. Artistic work and move around in Korea for a much more balanced in order to understand the context in the United States should work together some introduction. Early work in the United States, with operations in Korea during gyeonjueobon stranger within American society that he worried the whole time: 'Who am I,' 'What is alive' as a series of questions about the possibility of the existence, respectively. Korean-Americans, especially through the eyes of traditional culture and the unique dynamics of Korea, midaeipsi and art education system beyond cultural differences, served as an attractive and confusion. East and West as long as David or another 'value' of the problem, especially 'American' and 'art' on the 'relative value' of the problem began to concentrate on. He finally decided to stay in Korea and these troubles began paying - to work in a variety of formats.
Debbie to one's self and the possibility of art is more important than worrying about the question about the essence of life, respectively. Such continuous, ongoing questions and the meeting was the artist's work constantly to move objects and phenomena beyond the time fixed for the new light Trying to always maintain an attitude that has made the balance. Does not settle the present and of the world to overcome the existing values ??and prejudices established to expand and led to his commitment to overcome.For the construction of a fixed idea or not, you do not want to put down my hand, that the wishes towards something new, the reality of disinterested attachment to the world wishes to move out of the way of life was the driving force behind. Debbie is important in a job now, here is a recognition of reality. And based on that awareness about the value of a real and existing critical support, coping, on the contrary, amplification, is a gesture of expansion. David established the value of one job for the post (post) a strong aura imbued.
This exhibition made up largely divided into three spaces. Graduated from the University of immigration from the beginning to see before a wandering intellectual LA period (1985 to 1997), attending graduate school of social and human desire, structures, etc, turn your eyes to the world during New York (1998-2000) and the LA times (2001-2003), who visited the country to participate in the residency program working in Korea (2004-present), this is it. Due to the nature of museum exhibition space, an artist's past work, and David looked back to understand the current job that you want to try to guess the future work of half of the exhibition (半) was considered a retrospective nature.
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