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The Broad is pleased to announce Desire, Knowledge, and Hope (with Smog), an exhibition drawn entirely from the Broad collection, showcasing works by Los Angeles-based artists. Drawing its title from a John Baldessari work, the exhibition includes reflections on L.A. as a city in flux, and on societal issues that extend far beyond it. Running from November 18, 2023 to April 7, 2024, the exhibition will be on view throughout the museum鈥檚 first floor galleries and includes the work of 21 artists across varying generations who were raised in the Los Angeles area, such as Doug Aitken and Lari Pittman, or relocated to the city, including Catherine Opie and Mike Kelley. Desire, Knowledge, and Hope (with Smog) is made possible in part by generous support from East West Bank, Leading Partner of The Broad for six years.

The presentation highlights over 60 artworks鈥搈ost of which will be on view at the museum for the first time鈥揺xhibiting artists in the Broad collection whose work makes some of the city's integral contributions to contemporary art internationally, and revealing dialogues between local artists of different generations. Even works not explicitly about Los Angeles reveal a gap between the allure and the reality of life in the city, where a sense of phantasmagoric projection contrasts against much harder, concrete realities.

The show鈥檚 title refers to Baldessari鈥檚 monumental work Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog) (1985), where 鈥渟mog鈥� nods to the city鈥檚 notorious air quality, contrasting against familiar depictions of sunshine, beaches, Hollywood, and nature. This play between an idealized expectation of LA and its gritty reality is evident in the large-scale paintings, photographs and neons of Ed Ruscha, Mark Bradford, and Patrick Martinez whose intergenerational exchanges consider global and local societal issues through a shared home.

Hung alongside Baldessari鈥檚 work are two pieces by Mike Kelley, notably including his six-part drawing Infinite Expansion (1984), which is connected with one of his earliest performance works exploring psychedelia at The Museum of Contemporary Art, Los Angeles. Other featured artists include Barbara Kruger, who will have a gallery dedicated to her work Untitled (I shop therefore I am) (1987-2019). On view at The Broad for the first time, this work uses the parlance of political signage to probe commerce and the formation of identity. Toba Khedoori will present large-scale paper works Untitled (park benches) (1997) and Untitled (Black fireplace) (2006), both of which depict scenes of quietude or isolation, experiences often associated with the sprawling geography of Los Angeles. In two works from 2022, Diamonds and Pearls and The Whole Wide World is a Haunted House, Sayre Gomez deploys a realist style using airbrushed paint. Both of his works take on the overlooked perspective of the pedestrian, where street-level views of an abandoned strip mall and nail salon signage unambiguously embrace the complex social arrangements of a shared, sweeping metropolis.