ARTISTS
Don鈥檛 Mind If I Do
Finnegan Shannon is an artist whose mischievous works challenge traditional museum practices and etiquette. For Don鈥檛 mind if I do, Shannon brings alive their longtime fantasy for an exhibition that meets their access needs. 鈥淚鈥檓 disabled,鈥� they say, 鈥渁nd I need to sit. I鈥檝e been dreaming about an exhibition where instead of having to move from artwork to artwork, I could sit somewhere comfortable and have the artwork come to me.鈥�
Don鈥檛 mind if I do is a collaborative experiment demonstrating how temporary changes in power structures create pathways of access for visitors, artists, and staff. Anchored by a conveyor belt that brings artworks to visitors who are invited to sit around comfortable furniture and engage with the objects, the exhibition features artworks by a selection of artists who have influenced Shannon鈥檚 practice. The paraded objects, including plastic pill bottles, tissue box covers, and gender-affirming packers, signify illness, systems of support, and play within everyday life.
Embraced for its efficiency and mechanized transport of goods, the conveyor belt is reappropriated as a vehicle for cultivating a more relaxed museum-going experience. It welcomes informality, messiness, and unsettling the hierarchy of objects. Accompanying the exhibition are four solo exhibitions by artists agustine zegers, Sandie Yi, Finnegan Shannon, and Ariella Granados.
Finnegan Shannon is an artist whose mischievous works challenge traditional museum practices and etiquette. For Don鈥檛 mind if I do, Shannon brings alive their longtime fantasy for an exhibition that meets their access needs. 鈥淚鈥檓 disabled,鈥� they say, 鈥渁nd I need to sit. I鈥檝e been dreaming about an exhibition where instead of having to move from artwork to artwork, I could sit somewhere comfortable and have the artwork come to me.鈥�
Don鈥檛 mind if I do is a collaborative experiment demonstrating how temporary changes in power structures create pathways of access for visitors, artists, and staff. Anchored by a conveyor belt that brings artworks to visitors who are invited to sit around comfortable furniture and engage with the objects, the exhibition features artworks by a selection of artists who have influenced Shannon鈥檚 practice. The paraded objects, including plastic pill bottles, tissue box covers, and gender-affirming packers, signify illness, systems of support, and play within everyday life.
Embraced for its efficiency and mechanized transport of goods, the conveyor belt is reappropriated as a vehicle for cultivating a more relaxed museum-going experience. It welcomes informality, messiness, and unsettling the hierarchy of objects. Accompanying the exhibition are four solo exhibitions by artists agustine zegers, Sandie Yi, Finnegan Shannon, and Ariella Granados.
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