ARTISTS
Impulses, Restraints, Tones: New Compositions by Hannah Quinlivan
Best known for her work within the movement of experimental drawing, Hannah Quinlivan expands upon the medium to create drawings that employ wire, steel, salt, yarn, shadow, and LED light, constantly evolving and dissecting the elements of a drawing to investigate the confines of the line itself. "impulses, restraints, tones" exhibits brand new 鈥淪patial Drawings,鈥� as well as two delicate, yet powerful, site-specific and interactive installations that respond to the gallery space and flux of bodies within it. The well-known 鈥淪patial Drawings鈥� walk the line between sculptural weaving and graphic mark making and explores concepts of temporal reality and memory. Quinlivan鈥檚 鈥淪patial Drawings鈥� performance develops from wire armatures suspended from the ceiling. The shadows of these wire armatures are the basis for Quinlivan鈥檚 live and in-person crystalline salt drawings that will be developed over the course of three weeks during exhibition. This work, shown for the first time in New York City, forms part of a series of site-specific ephemeral drawings Quinlivan has been making in Cambridge, Berlin, Hong Kong, Australia, and Colorado from since 2016.
Best known for her work within the movement of experimental drawing, Hannah Quinlivan expands upon the medium to create drawings that employ wire, steel, salt, yarn, shadow, and LED light, constantly evolving and dissecting the elements of a drawing to investigate the confines of the line itself. "impulses, restraints, tones" exhibits brand new 鈥淪patial Drawings,鈥� as well as two delicate, yet powerful, site-specific and interactive installations that respond to the gallery space and flux of bodies within it. The well-known 鈥淪patial Drawings鈥� walk the line between sculptural weaving and graphic mark making and explores concepts of temporal reality and memory. Quinlivan鈥檚 鈥淪patial Drawings鈥� performance develops from wire armatures suspended from the ceiling. The shadows of these wire armatures are the basis for Quinlivan鈥檚 live and in-person crystalline salt drawings that will be developed over the course of three weeks during exhibition. This work, shown for the first time in New York City, forms part of a series of site-specific ephemeral drawings Quinlivan has been making in Cambridge, Berlin, Hong Kong, Australia, and Colorado from since 2016.
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