黑料不打烊

Jacob Hashimoto鈥檚 eighth solo exhibition at Rhona Hoffman Gallery, Fables, features wall-mounted sculptural works constructed in the artist鈥檚 signature style using rice paper and bamboo 鈥渒ites,鈥� often complicated in their construction and always beautiful. The exhibition鈥檚 title pertains to the visual stories and histories Hashimoto鈥檚 sculptures pay tribute to, referencing movements such as 1960s West Coast Hard-edge painting 鈥� a response to the more gestural Abstract Expressionism; Minimalism; and the Japanese handicraft tradition.

Hundreds of individually collaged disks and rectilinear shapes 鈥� their faces often populated with geometric patterning, floral and celestial imagery, or monochrome surfaces 鈥� unite to form versatile compositions that can be read as landscapes (as is the case in The Endless Field and Groundwater), Modernist paintings, or abstracted renditions of the sublime. Each artwork is composed of six layers of strung kites of varying dimensions, their component parts coalescing to create a pixelated setting. The sculptures encourage movement, and each time a viewer shifts their body or eyes an alternate grouping of the patterned kites reveals itself.

The majority of the works in Fables are intimately scaled, their proportions being noteworthy when compared to the more sizable wall works and vast suspended installations Hashimoto is known for. Rather, these compact and cosmic vignettes 鈥� all having the word Moon in their title 鈥� invite meditative looking. Akin to past bodies of work, the complex compositions that comprise Fables reference cosmology, video games, virtual environments, as well as various art historical traditions, while concurrently possessing more transcendental and spiritual qualities.