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Joanna Logue: Echo
Logue chose the title 鈥淓cho鈥� primarily for formal reasons, referring to the compositional devices that appear and reappear鈥攄oubled, flipped, rotated, mirrored鈥攖hroughout the work. The word itself, though, has some of the same mutability as those changeable marks: echoes of home, of dislocation, of influence, of past work, of real-world landscapes that exist only for a moment before they change forever, and then change again. The magic of Logue鈥檚 painting is how she renders something as elusive as those echoes.
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Logue chose the title 鈥淓cho鈥� primarily for formal reasons, referring to the compositional devices that appear and reappear鈥攄oubled, flipped, rotated, mirrored鈥攖hroughout the work. The word itself, though, has some of the same mutability as those changeable marks: echoes of home, of dislocation, of influence, of past work, of real-world landscapes that exist only for a moment before they change forever, and then change again. The magic of Logue鈥檚 painting is how she renders something as elusive as those echoes.
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