Jockum ±·´Ç°ù»å²õ³Ù°ùö³¾: Myrstackarnas land / Land of Anthills
Tim Van Laere Gallery is pleased to present Myrstackarnas land / Land of Anthills, the first solo show of new and recent works by the celebrated Swedish artist Jockum ±·´Ç°ù»å²õ³Ù°ùö³¾ at the gallery. This exhibition brings together a rich constellation of ±·´Ç°ù»å²õ³Ù°ùö³¾â€™s intimate collages, evocative pencil drawings, and delicately balanced mobile sculptures.
We have all, at some point, been captivated by an image, moved by its resemblance to something in our memory. Memory is malleable, whimsical and at times tangible. Memory images point to something beyond oblivion. In the case of an artist, this can consist of the inadvertent borrowing of a detail from a certain artwork in the form of a subconscious memory of a composition the artist has once seen. The work is created anew when the composition is reused in the present. It is validated, perhaps as a sign of admiration towards the other artist. Jockum ±·´Ç°ù»å²õ³Ù°ùö³¾ does a lot of validating in his works. He is especially responsive to everything having to do with Swedish drawing over the ages, spanning from the Swedish historical narratives of the 1700s, to the humorists of the 1800s and the naïveté and down-to-earthness of the 1900s. ±·´Ç°ù»å²õ³Ù°ùö³¾â€™s knowledge offers him a sense of humility, both in the face of the committed approach of his predecessors as well as their unconditional desire to create. A desire that ±·´Ç°ù»å²õ³Ù°ùö³¾ clearly shares.
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Tim Van Laere Gallery is pleased to present Myrstackarnas land / Land of Anthills, the first solo show of new and recent works by the celebrated Swedish artist Jockum ±·´Ç°ù»å²õ³Ù°ùö³¾ at the gallery. This exhibition brings together a rich constellation of ±·´Ç°ù»å²õ³Ù°ùö³¾â€™s intimate collages, evocative pencil drawings, and delicately balanced mobile sculptures.
We have all, at some point, been captivated by an image, moved by its resemblance to something in our memory. Memory is malleable, whimsical and at times tangible. Memory images point to something beyond oblivion. In the case of an artist, this can consist of the inadvertent borrowing of a detail from a certain artwork in the form of a subconscious memory of a composition the artist has once seen. The work is created anew when the composition is reused in the present. It is validated, perhaps as a sign of admiration towards the other artist. Jockum ±·´Ç°ù»å²õ³Ù°ùö³¾ does a lot of validating in his works. He is especially responsive to everything having to do with Swedish drawing over the ages, spanning from the Swedish historical narratives of the 1700s, to the humorists of the 1800s and the naïveté and down-to-earthness of the 1900s. ±·´Ç°ù»å²õ³Ù°ùö³¾â€™s knowledge offers him a sense of humility, both in the face of the committed approach of his predecessors as well as their unconditional desire to create. A desire that ±·´Ç°ù»å²õ³Ù°ùö³¾ clearly shares.
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Tim Van Laere Gallery is pleased to presentÌýMyrstackarnas land / Land of Anthills, the first solo show of new and recent works by the celebrated Swedish artist Jockum ±·´Ç°ù»å²õ³Ù°ùö³¾ at the gallery.
Tim Van Laere Gallery presents Myrstackarnas land / Land of Anthills, the first solo show of new and recent works by the celebrated Swedish artist Jockum ±·´Ç°ù»å²õ³Ù°ùö³¾ at the gallery.