ARTISTS
Juan Bolivar: On The Road Again
JGM Gallery presents On The Road Again, an exhibition of new paintings by the Venezuelan-born British artist, Juan Bolivar.
A central theme of this exhibition is the idea of the 'long-haul', used by Bolivar as a metaphor for the creative journey and the isolation of the studio. He establishes this analogy by bringing together canvases of variable sizes which, in combination, represent large vehicles. Many of the works in this exhibition, then, function both as sculptures and as paintings.
Art historical references are frequently made. When integrated with unexpected subjects, such as a truck or a fire engine, these works become springboards for novel aesthetic and conceptual explorations. In much the same way that a film director brings together disparate components (music, cinematography and a script), Bolivar integrates rogue elements with well known artworks. In this way, he modifies their meaning and directs his audience toward unexpected conceptual territory. Moreover, the ostensibly low-brow nature of the long-haul vehicles negates the gravitas of their art historical counterparts, encouraging the viewer to engage with both in new and unorthodox ways.
Bolivar says that he wants "... to make slightly mischievous paintings... thought experiments that invite the viewer to question the understood significance of historical works." This "mischievous" approach manifests in a variety of visual puns and tromp l'oeil effects, motifs that expose the inner workings of these pictures and the illusionistic nature of representation. In Styx, by example, a painted Malevich postcard is fixed to the canvas with painted sticky tape. The tape fulfils its function as a rogue element, but also continues Malevich's pictorial logic, mimicking as it does the rectangular shapes of the original composition.
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JGM Gallery presents On The Road Again, an exhibition of new paintings by the Venezuelan-born British artist, Juan Bolivar.
A central theme of this exhibition is the idea of the 'long-haul', used by Bolivar as a metaphor for the creative journey and the isolation of the studio. He establishes this analogy by bringing together canvases of variable sizes which, in combination, represent large vehicles. Many of the works in this exhibition, then, function both as sculptures and as paintings.
Art historical references are frequently made. When integrated with unexpected subjects, such as a truck or a fire engine, these works become springboards for novel aesthetic and conceptual explorations. In much the same way that a film director brings together disparate components (music, cinematography and a script), Bolivar integrates rogue elements with well known artworks. In this way, he modifies their meaning and directs his audience toward unexpected conceptual territory. Moreover, the ostensibly low-brow nature of the long-haul vehicles negates the gravitas of their art historical counterparts, encouraging the viewer to engage with both in new and unorthodox ways.
Bolivar says that he wants "... to make slightly mischievous paintings... thought experiments that invite the viewer to question the understood significance of historical works." This "mischievous" approach manifests in a variety of visual puns and tromp l'oeil effects, motifs that expose the inner workings of these pictures and the illusionistic nature of representation. In Styx, by example, a painted Malevich postcard is fixed to the canvas with painted sticky tape. The tape fulfils its function as a rogue element, but also continues Malevich's pictorial logic, mimicking as it does the rectangular shapes of the original composition.
Artists on show
