ARTISTS
Juan Ledesma: The Rhythm of Speech
Locust Projects presents Rhythm of Speech, a new experimental audiovisual installation by Miami-based artist and musician Juan Ledesma. Ledesma鈥檚 first solo presentation draws connections between diverse musical traditions and our collective lived experiences by exploring the musical potential of spoken accents. The exhibition opens to the public on June 11 from 11am-5pm by appointment, admission is free.
Ledesma鈥檚 artistic practice is in constant dialogue with his music-making and seeks to identify how space, time, and sound can materially relate to one another through process-driven explorations. For Rhythm of Speech, the artist invited three Miami-based musicians to create a musical score based on a linguistic analysis of their respective accents. Although accents are commonly considered linguistic indicators of nationality, cultural upbringing, or socio-economic background, Ledesma aims to reframe language as a collective repository of sounds that can be used towards creative musical compositions.
The centerpiece of the installation is a video projected on a circular screen featuring the musicians candidly sharing their influential and formative experiences creating music. Drawing from childhood memories and moments of solitude, each musician describes music-making as an affectively potent and transcendent mode of expression. This is illustrated through the musical performance, which is interspersed throughout the video. Each musician's identity is profoundly entangled with their relationship to music. Ledesma鈥檚 work addresses forms of collective exchange through language and simultaneously hones in on this phenomenon through shared acts of making and experiencing music.
Rhythm of Speech is also situated within the historical trajectory of experimental sound art, alluding to American composer Alvin Lucier鈥檚 seminal sound art piece I am sitting in a room. In this artwork, Lucier records himself as he recites a text while sitting in an empty room. The recording is then played back into the room and then recorded again. Lucier continues to do this until his words become unintelligible and the only sounds that remain are the activated resonant frequencies in the room. In Ledesma鈥檚 words, 鈥渢he room found a way to speak.鈥� This analogy gestures towards the possibilities of sound becoming visually and physically tangible. In this case, the gallery housing Ledesma鈥檚 installation was acoustically tuned and its resulting resonant frequencies were compared to that of the room Lucier鈥檚 piece was created. Ledesma makes references to this through material sound-proofing interventions including hand-made wood panels, acoustic foam panels, and rugs. In Rhythm of Speech, Ledesma offers unconventional and innovative ways to reconsider our relationship to sound and music. Through perceptive explorations of language and the embodied qualities of sound, the work contributes to the development of meaningful inquiries that fundamentally question who we are and how we relate to one another.
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Locust Projects presents Rhythm of Speech, a new experimental audiovisual installation by Miami-based artist and musician Juan Ledesma. Ledesma鈥檚 first solo presentation draws connections between diverse musical traditions and our collective lived experiences by exploring the musical potential of spoken accents. The exhibition opens to the public on June 11 from 11am-5pm by appointment, admission is free.
Ledesma鈥檚 artistic practice is in constant dialogue with his music-making and seeks to identify how space, time, and sound can materially relate to one another through process-driven explorations. For Rhythm of Speech, the artist invited three Miami-based musicians to create a musical score based on a linguistic analysis of their respective accents. Although accents are commonly considered linguistic indicators of nationality, cultural upbringing, or socio-economic background, Ledesma aims to reframe language as a collective repository of sounds that can be used towards creative musical compositions.
The centerpiece of the installation is a video projected on a circular screen featuring the musicians candidly sharing their influential and formative experiences creating music. Drawing from childhood memories and moments of solitude, each musician describes music-making as an affectively potent and transcendent mode of expression. This is illustrated through the musical performance, which is interspersed throughout the video. Each musician's identity is profoundly entangled with their relationship to music. Ledesma鈥檚 work addresses forms of collective exchange through language and simultaneously hones in on this phenomenon through shared acts of making and experiencing music.
Rhythm of Speech is also situated within the historical trajectory of experimental sound art, alluding to American composer Alvin Lucier鈥檚 seminal sound art piece I am sitting in a room. In this artwork, Lucier records himself as he recites a text while sitting in an empty room. The recording is then played back into the room and then recorded again. Lucier continues to do this until his words become unintelligible and the only sounds that remain are the activated resonant frequencies in the room. In Ledesma鈥檚 words, 鈥渢he room found a way to speak.鈥� This analogy gestures towards the possibilities of sound becoming visually and physically tangible. In this case, the gallery housing Ledesma鈥檚 installation was acoustically tuned and its resulting resonant frequencies were compared to that of the room Lucier鈥檚 piece was created. Ledesma makes references to this through material sound-proofing interventions including hand-made wood panels, acoustic foam panels, and rugs. In Rhythm of Speech, Ledesma offers unconventional and innovative ways to reconsider our relationship to sound and music. Through perceptive explorations of language and the embodied qualities of sound, the work contributes to the development of meaningful inquiries that fundamentally question who we are and how we relate to one another.
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