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If the exhibition title refers to the founding act of the gallery’s new chapter, it refers in particular to the importance of stone for many artists since the mists of time, not simply as a medium, but as a subject in its proper right.

While the title points at the founding act of the gallery’s new chapter, the ‘first stone’ is above all a reference to the importance that stones have had for many artists since the dawn of time – not as a material, but as a subject, or object.

This exhibition thus refers to the myth of the ‘first stone’, that primitive stone from which all others would have been born. Indeed, as the poet Francis Ponge wrote, ‘all rocks are born out of scissiparity from the same enormous ancestor’, condemned to perpetual disintegration, until they become sand and then dust. There are many mythological and religious narratives based on the idea of a first stone. This myth of origins comes close to that of the quest for the prima materia : namely, the philosopher’s stone, whose creation is the goal of alchemy so that to reach absolute consciousness.

It is perhaps this same quest that each of us pursues, by collecting stones, pebbles, or cobbles, with a form of curiosity tinged with fascination and mystery, as well as appropriation and melancholy in the face of this ineluctable crumbling of the mineral world that we hold in our hand, not to mention atavism even, by reviving in this way the most remote ritual gestures of monolithic civilisations.