Manscaping: New York
The Hole is proud to present Manscaping, our yearly thematic group extravaganza now across two galleries, Bowery and Los Angeles. With over sixty artists on both coasts and a forthcoming catalogue, Manscaping looks at depictions of landscape today with a whiff of gender nonsense.
As a genre, landscape has been central to art since pre-history as humankind intrinsically seeks to record the world around it. Whether accurate or idealized, landscape reveals as much about the recorder as the recorded; just as in past centuries cartography showed how past peoples viewed the world as they tried to make sense of it, today the new frontiers to chart are intangible: video mapping instead of cartography, deep space instead of deep oceans, but the drive to give image to the world around us persists.
Landscape today may not be the most snazzy genre; right now all the fireworks are still in figuration—and, as with our thematic group exhibition last year, Nature Morte, even still life is popping off. Landscape is the slow burn, where our contemporary world is reflected but with less flash. I have to be in the right headspace myself, and it is nice that these two exhibitions provide a figuration-free environment in which we can adjust our eyes to the solitude.
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The Hole is proud to present Manscaping, our yearly thematic group extravaganza now across two galleries, Bowery and Los Angeles. With over sixty artists on both coasts and a forthcoming catalogue, Manscaping looks at depictions of landscape today with a whiff of gender nonsense.
As a genre, landscape has been central to art since pre-history as humankind intrinsically seeks to record the world around it. Whether accurate or idealized, landscape reveals as much about the recorder as the recorded; just as in past centuries cartography showed how past peoples viewed the world as they tried to make sense of it, today the new frontiers to chart are intangible: video mapping instead of cartography, deep space instead of deep oceans, but the drive to give image to the world around us persists.
Landscape today may not be the most snazzy genre; right now all the fireworks are still in figuration—and, as with our thematic group exhibition last year, Nature Morte, even still life is popping off. Landscape is the slow burn, where our contemporary world is reflected but with less flash. I have to be in the right headspace myself, and it is nice that these two exhibitions provide a figuration-free environment in which we can adjust our eyes to the solitude.
Artists on show
- Adam de Boer
- Amelia Briggs
- Amy Lincoln
- Ant Hamlyn
- Anthony Miler
- Audrey Large
- Botond Keresztesi
- Brandon Lipchik
- Brendan Lynch
- Brittney Leanne Williams
- Bryant Girsch
- Cara Nahaul
- Caroline Larsen
- Cecilia Fiona
- Chelsea Seltzer
- Dan Attoe
- Daniel Andres Alcazar
- Darryl Westly
- Ed Ruscha
- Ena Swansea
- Eric Yahnker
- Gabrielle Garland
- Gao Hang
- Grant Stoops
- Henry Hudson
- Hiroya Kurata
- Ivan Seal
- James Ulmer
- Jean Isamu Nagai
- Jeremy Shockley
- JJ Manford
- Jochen Mühlenbrink
- Jon Young
- Karl Maughan
- Kate Klingbeil
- Kim Dorland
- Krzysztof Grzybacz
- Leo Park
- Leslie B. Weissman
- Lisa Vlaemminck
- Magda Kirk
- Martina Grlić
- Mathew Tom
- Mathew Zefeldt
- Matt Belk
- Matt Hansel
- Matthew F. Fisher
- Micah Ofstedahl
- Natalie Birinyi
- Natalie Westbrook
- Nevena Prijic
- Paul Corio
- Philip Hinge
- Rick Leong
- Rosson Crow
- Shara Hughes
- Sholto Blissett
- Taylor McKimens
- Theo A. Rosenblum
- Tim Gardner
- Tim Irani