Michael Kindred Knight: Guide Meridian
Luis De Jesus Los Angeles is very pleased to announce Michael Kindred Knight: Guide Meridian, the artist鈥檚 fourth solo exhibition with the gallery. The exhibition will be on view from January 8 through February 19, 2022 with an opening reception to be held on Saturday, January 8th from 3:00 pm to 7:00 pm. Appointments are optional and may be made at luisdejesus.com/contact.
Michael Kindred Knight鈥檚 newest body of work represents a progression in his approach to abstraction. Urged on by curiosity, Knight鈥檚 abstractions are complex pictorial events that are developed over time.
He often refers to the works as 鈥減laces,鈥 partially attributed to Knight鈥檚 fondness for the flourishes, fixtures, facades, and sunset-bathed stucco that constitute LA architecture. While fictional in nature, these 鈥減laces鈥 are brimming with a sense of gravity, structure, improbable horizons and time-of-day.
The titles are autobiographical, expanding on the adage, 鈥淲hat鈥檚 in a name?鈥 The paintings are often named after places, cities, neighborhoods, and streets, evocative of certain moments and periods in Knight鈥檚 life. In effect, the paintings describe a feeling of dislocation 鈥 of being caught in the detached realities of the Information Age and the tactile, sensory experiences of embodiment: skin, eyes, memory, breath 鈥 all with a mind to appreciate being present in the here, now.
Luis De Jesus Los Angeles is very pleased to announce Michael Kindred Knight: Guide Meridian, the artist鈥檚 fourth solo exhibition with the gallery. The exhibition will be on view from January 8 through February 19, 2022 with an opening reception to be held on Saturday, January 8th from 3:00 pm to 7:00 pm. Appointments are optional and may be made at luisdejesus.com/contact.
Michael Kindred Knight鈥檚 newest body of work represents a progression in his approach to abstraction. Urged on by curiosity, Knight鈥檚 abstractions are complex pictorial events that are developed over time.
He often refers to the works as 鈥減laces,鈥 partially attributed to Knight鈥檚 fondness for the flourishes, fixtures, facades, and sunset-bathed stucco that constitute LA architecture. While fictional in nature, these 鈥減laces鈥 are brimming with a sense of gravity, structure, improbable horizons and time-of-day.
The titles are autobiographical, expanding on the adage, 鈥淲hat鈥檚 in a name?鈥 The paintings are often named after places, cities, neighborhoods, and streets, evocative of certain moments and periods in Knight鈥檚 life. In effect, the paintings describe a feeling of dislocation 鈥 of being caught in the detached realities of the Information Age and the tactile, sensory experiences of embodiment: skin, eyes, memory, breath 鈥 all with a mind to appreciate being present in the here, now.