Michael Scott: Recent Painting and Sculpture
Sandra Gering Inc is pleased to present MICHAEL SCOTT: Recent Painting and Sculpture. This is Scott鈥檚 fifth solo exhibition with the gallery.
For this exhibition, Scott pairs new free standing sculpture with paintings, both of which continue to explore the conceptual aspect of optics the artist has worked with since the mid 1980s.
Scott鈥檚 interest in the sculptural nature of his work is brought to the foreground in this exhibition. Highly sensitive to materiality, Scott has always seen his paintings for their three-dimensional qualities. The enamel works in particular have, for the most part, been painted on aluminum grounds and projected off the wall on metal brackets, heightening their objectness. Adding to that, the striped surfaces have had multiple treatments, from matte to glossy and washy to textured. The pillar-like aluminum sculptures on view continue the stripe series, their verticality echoing the line work in a fully three-dimensional object.
Scott鈥檚 history with linear abstraction dates back to contemporary art鈥檚 Neo-Geo movement. Using mathematics to build specific parameters for each work, he creates frisson by painting surfaces that can be difficult to look at. Color, contrast and scale all contribute to the overall optical effect. Scott鈥檚 work is meticulous by nature. Fractions and progressions are highly meaningful, as are any diversions into expressionism or gestural mark-making. Taken as a whole, Scott鈥檚 stripe works show a sensitivity to nuance that can be likened to the work of Ad Reinhardt, Donald Judd, On Kawara and Josef Albers, as well as any number of Op-Art practitioners.
Sandra Gering Inc is pleased to present MICHAEL SCOTT: Recent Painting and Sculpture. This is Scott鈥檚 fifth solo exhibition with the gallery.
For this exhibition, Scott pairs new free standing sculpture with paintings, both of which continue to explore the conceptual aspect of optics the artist has worked with since the mid 1980s.
Scott鈥檚 interest in the sculptural nature of his work is brought to the foreground in this exhibition. Highly sensitive to materiality, Scott has always seen his paintings for their three-dimensional qualities. The enamel works in particular have, for the most part, been painted on aluminum grounds and projected off the wall on metal brackets, heightening their objectness. Adding to that, the striped surfaces have had multiple treatments, from matte to glossy and washy to textured. The pillar-like aluminum sculptures on view continue the stripe series, their verticality echoing the line work in a fully three-dimensional object.
Scott鈥檚 history with linear abstraction dates back to contemporary art鈥檚 Neo-Geo movement. Using mathematics to build specific parameters for each work, he creates frisson by painting surfaces that can be difficult to look at. Color, contrast and scale all contribute to the overall optical effect. Scott鈥檚 work is meticulous by nature. Fractions and progressions are highly meaningful, as are any diversions into expressionism or gestural mark-making. Taken as a whole, Scott鈥檚 stripe works show a sensitivity to nuance that can be likened to the work of Ad Reinhardt, Donald Judd, On Kawara and Josef Albers, as well as any number of Op-Art practitioners.
Artists on show
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