ARTISTS
No Humans Involved
A showcase of work by seven artists and collectives whose work interrogates and disrupts Western modes of humanism. In 1992 the Jamaican scholar and theorist Sylvia Wynter penned a seminal text titled 鈥溾�楴o Humans Involved鈥�: An Open Letter to My Colleagues.鈥� The title refers to an internal code that was used by the Los Angeles Police Department, usually in relation to cases that disproportionately involved Black and Brown Angelenos who were often identified as sex workers, gang members, or drug traffickers. The code became public knowledge in 1992, shortly after the trial and ultimate acquittal of the four police officers charged with the use of excessive force in the brutal beating of Rodney King.
In her open letter, written to her colleagues as a call to action, Wynter argues that academia is partly to blame for this horrific event and its aftermath, which forever changed the cultural and social landscape of Los Angeles, because academic institutions uphold and disseminate problematic constructs of race, gender, class, sexuality, and other categories that continue to overdetermine our lived experience and justify or deny our humanity. She asks, 鈥淗ow did they come to conceive of what it means to be both human and North American in the kinds of terms (i.e. to be White, of Euro American culture and descent, middle-class, college-educated and suburban) within whose logic the jobless and usually school drop-out/push-out category of young Black males can be perceived, and therefore behaved towards, only as the Lack of the human, the Conceptual Other to being North American?鈥�
No Humans Involved expands on Wynter鈥檚 ideas, showcasing the work of seven artists and collectives whose practices disrupt and interrogate Western modes of humanism, highlight the limits of corporeal identity, and prioritize the nonhuman or antihuman as a point of departure. Featuring works of sculpture, performance, installation, and multimedia by Eddie Aparicio, Tau Lewis, Las Nietas de Non贸, Sondra Perry, SANGREE, WangShui, and Wilmer Wilson IV, artists whose conceptual explorations provide a contemporary response to Wynter鈥檚 original call to action.
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A showcase of work by seven artists and collectives whose work interrogates and disrupts Western modes of humanism. In 1992 the Jamaican scholar and theorist Sylvia Wynter penned a seminal text titled 鈥溾�楴o Humans Involved鈥�: An Open Letter to My Colleagues.鈥� The title refers to an internal code that was used by the Los Angeles Police Department, usually in relation to cases that disproportionately involved Black and Brown Angelenos who were often identified as sex workers, gang members, or drug traffickers. The code became public knowledge in 1992, shortly after the trial and ultimate acquittal of the four police officers charged with the use of excessive force in the brutal beating of Rodney King.
In her open letter, written to her colleagues as a call to action, Wynter argues that academia is partly to blame for this horrific event and its aftermath, which forever changed the cultural and social landscape of Los Angeles, because academic institutions uphold and disseminate problematic constructs of race, gender, class, sexuality, and other categories that continue to overdetermine our lived experience and justify or deny our humanity. She asks, 鈥淗ow did they come to conceive of what it means to be both human and North American in the kinds of terms (i.e. to be White, of Euro American culture and descent, middle-class, college-educated and suburban) within whose logic the jobless and usually school drop-out/push-out category of young Black males can be perceived, and therefore behaved towards, only as the Lack of the human, the Conceptual Other to being North American?鈥�
No Humans Involved expands on Wynter鈥檚 ideas, showcasing the work of seven artists and collectives whose practices disrupt and interrogate Western modes of humanism, highlight the limits of corporeal identity, and prioritize the nonhuman or antihuman as a point of departure. Featuring works of sculpture, performance, installation, and multimedia by Eddie Aparicio, Tau Lewis, Las Nietas de Non贸, Sondra Perry, SANGREE, WangShui, and Wilmer Wilson IV, artists whose conceptual explorations provide a contemporary response to Wynter鈥檚 original call to action.
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