ARTISTS
Nowhere to Be
The exhibition brings together Fabien Ad猫le, Gus Monday, and Julian Lombardi, three artists who explore the boundaries of perception and spatial experience. Their works inhabit a fluid territory where memory, imagination, and cultural constructs intertwine, creating ever-shifting visual landscapes. Each artist, in his own way, destabilises the boundaries between subject and environment, reality and abstraction, allowing open-ended and elusive narratives to emerge.
Fabien Ad猫le navigates the intersection of memory and imagination, constructing layered compositions where figures merge with landscapes. His paintings evolve through repetition, with motifs resurfacing in new contexts, much like the routines of daily life.
Gus Monday moves away from bureaucratic interiors and shifts the focus to 鈥渘owhere spaces,鈥� embracing a more abstract imagination, where emptiness becomes a field of possibilities.
Julian Lombardi, drawing from quantum mechanics and information theory, approaches painting as an exploration of interconnectedness.
Together, Ad猫le, Monday, and Lombardi investigate how spaces-whether internal or external, tangible or ephemeral-shape experience. Their works question how perception is constructed, how meaning emerges through repetition and abstraction, and how reality itself is, in many ways, a negotiation between memory, imagination, and constructed narratives.
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The exhibition brings together Fabien Ad猫le, Gus Monday, and Julian Lombardi, three artists who explore the boundaries of perception and spatial experience. Their works inhabit a fluid territory where memory, imagination, and cultural constructs intertwine, creating ever-shifting visual landscapes. Each artist, in his own way, destabilises the boundaries between subject and environment, reality and abstraction, allowing open-ended and elusive narratives to emerge.
Fabien Ad猫le navigates the intersection of memory and imagination, constructing layered compositions where figures merge with landscapes. His paintings evolve through repetition, with motifs resurfacing in new contexts, much like the routines of daily life.
Gus Monday moves away from bureaucratic interiors and shifts the focus to 鈥渘owhere spaces,鈥� embracing a more abstract imagination, where emptiness becomes a field of possibilities.
Julian Lombardi, drawing from quantum mechanics and information theory, approaches painting as an exploration of interconnectedness.
Together, Ad猫le, Monday, and Lombardi investigate how spaces-whether internal or external, tangible or ephemeral-shape experience. Their works question how perception is constructed, how meaning emerges through repetition and abstraction, and how reality itself is, in many ways, a negotiation between memory, imagination, and constructed narratives.
Artists on show
