ARTISTS
Outside The Line
z2o Sara Zanin is pleased to present the exhibition Outside the line, opening on Saturday, February 26, with works by Tomoe Hikita, Alexi Marshall, Nazzarena Poli Maramotti, Anna Maria 厂肠丑枚苍谤辞肠办.
The group show offers a selection of recent works by four artists representing a generation born between the late 1980s and early 1990s. Far from wanting to be a survey on the state of figurative painting, the exhibition brings together four different ways of understanding the medium, united by a visionary aspect that goes beyond the limits of the external referent to transpose it on an intimate and symbolic level (Marshall), hybrid and halfway between figuration-abstraction (Hikita, 厂肠丑枚苍谤辞肠办), expressive, borrowing suggestions from the landscape, as well as from portraiture and archive materials (Poli Maramotti).
Hikita, Marshall, Poli Maramotti and 厂肠丑枚苍谤辞肠办 are linked to a peculiar use of colour and to a very personal way of understanding the background and foreground. Their research summarizes a punctual attention to the restitution of a feeling of painting nourished by a variety of lines, rhythms and shades.
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z2o Sara Zanin is pleased to present the exhibition Outside the line, opening on Saturday, February 26, with works by Tomoe Hikita, Alexi Marshall, Nazzarena Poli Maramotti, Anna Maria 厂肠丑枚苍谤辞肠办.
The group show offers a selection of recent works by four artists representing a generation born between the late 1980s and early 1990s. Far from wanting to be a survey on the state of figurative painting, the exhibition brings together four different ways of understanding the medium, united by a visionary aspect that goes beyond the limits of the external referent to transpose it on an intimate and symbolic level (Marshall), hybrid and halfway between figuration-abstraction (Hikita, 厂肠丑枚苍谤辞肠办), expressive, borrowing suggestions from the landscape, as well as from portraiture and archive materials (Poli Maramotti).
Hikita, Marshall, Poli Maramotti and 厂肠丑枚苍谤辞肠办 are linked to a peculiar use of colour and to a very personal way of understanding the background and foreground. Their research summarizes a punctual attention to the restitution of a feeling of painting nourished by a variety of lines, rhythms and shades.
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