Post-Impressionism in the Arkas Collection
The second half of the 19th century saw the transformation of Paris into one of the first examples of modernized cities of Europe. The attractive social and intellectual environment of the city turned it into an inspirational center of encounter for audacious artists, who aimed to cross the strict boundaries set by traditional painting. The Impressionists generation who gave acceleration to the efforts of enriching the expression forms of painting, carried the French painting into a new movement, became the starting point of Post-Impressionists.
In the period between 1880s and the first quarter of the nineteenth century, young artists, who profited from the current ideas in science, philosophy and literature in improving their artistic perceptions, desired to create a subjective and unique style of their own and developed numerous ways of depicting their feelings and thoughts with different interpretations of form and color in painting. Their common intention was to move away the art of painting from the traditional insistence on objective description of the outside world and emphasize the ideas and emotions of the artist in the process of creation. The goal was to depict the internal truth, in other words, the personal perspective of the artist on canvas.
The theories of especially C茅zanne, Van Gogh, Gauguin and Seurat on the application of the main elements of painting such as perspective, color, texture and form became a major source of reference for this new generation of artists. Painters with different methodological inclinations established various artistic groups like Pont-Aven School and the Nabis and numerous art movements such as Divisionism, Cloisonnism, Intimism, Fauvism and Cubism. Their theoretical and practical approach became influential in the formation of the modern art in twentieth century. The Post-Impressionist paintings, acquired by Arkas Collection through years-long meticulous research, great efforts and lengthy investments, represents not only French artists, also various European artists who adopted modernist approaches of Parisian circles and fused it with their own cultural elements.
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The second half of the 19th century saw the transformation of Paris into one of the first examples of modernized cities of Europe. The attractive social and intellectual environment of the city turned it into an inspirational center of encounter for audacious artists, who aimed to cross the strict boundaries set by traditional painting. The Impressionists generation who gave acceleration to the efforts of enriching the expression forms of painting, carried the French painting into a new movement, became the starting point of Post-Impressionists.
In the period between 1880s and the first quarter of the nineteenth century, young artists, who profited from the current ideas in science, philosophy and literature in improving their artistic perceptions, desired to create a subjective and unique style of their own and developed numerous ways of depicting their feelings and thoughts with different interpretations of form and color in painting. Their common intention was to move away the art of painting from the traditional insistence on objective description of the outside world and emphasize the ideas and emotions of the artist in the process of creation. The goal was to depict the internal truth, in other words, the personal perspective of the artist on canvas.
The theories of especially C茅zanne, Van Gogh, Gauguin and Seurat on the application of the main elements of painting such as perspective, color, texture and form became a major source of reference for this new generation of artists. Painters with different methodological inclinations established various artistic groups like Pont-Aven School and the Nabis and numerous art movements such as Divisionism, Cloisonnism, Intimism, Fauvism and Cubism. Their theoretical and practical approach became influential in the formation of the modern art in twentieth century. The Post-Impressionist paintings, acquired by Arkas Collection through years-long meticulous research, great efforts and lengthy investments, represents not only French artists, also various European artists who adopted modernist approaches of Parisian circles and fused it with their own cultural elements.
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