Ragnar Kjartansson: The End
Kjartansson and Þór Jónsson filmed and recorded the song’s instrumental parts in five idyllic and sublime sites around Banff in temperatures as low as -4 degrees Fahrenheit. The resulting projections were arranged to echo one another, with Kjartansson and Þór Jónsson performing multiple parts of the same song. Using the Rocky Mountains as a stage set to perform the historically romanticized role of the artist in the landscape, Kjartansson questions the cultural narratives that mediate our experiences of nature. All the while the work’s melancholic beauty and intoxicating soundtrack prove overwhelmingly romantic, eliciting a curiosity in the contemporary abyss.
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Kjartansson and Þór Jónsson filmed and recorded the song’s instrumental parts in five idyllic and sublime sites around Banff in temperatures as low as -4 degrees Fahrenheit. The resulting projections were arranged to echo one another, with Kjartansson and Þór Jónsson performing multiple parts of the same song. Using the Rocky Mountains as a stage set to perform the historically romanticized role of the artist in the landscape, Kjartansson questions the cultural narratives that mediate our experiences of nature. All the while the work’s melancholic beauty and intoxicating soundtrack prove overwhelmingly romantic, eliciting a curiosity in the contemporary abyss.
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The Museum of Contemporary Art Detroit (MOCAD) presents Ragnar Kjartansson’s gorgeous and shrewd video installation The End (2009).