Range: Experiments in New York, 1961鈥�2007
This installation borrows its title from a series of drawings by Donald Moffett (born San Antonio, 1955) rendered in fudge on paper pierced with a bullet shot by his friend, Robert Beck (born Towson, Maryland, 1959). As a young artist who arrived in New York in the late 1970s, Moffett was inspired by more-established colleagues, including Alice Aycock, Lynda Benglis, and Elizabeth Murray, whose post-Minimalist work resonated with what he calls his "fractured formalist impulses." Taking this intergenerational artistic milieu as its point of departure, this exhibition brings together works by artists whose output subverts a rigorous formalism through references to subjectivity, narrative, and process.
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This installation borrows its title from a series of drawings by Donald Moffett (born San Antonio, 1955) rendered in fudge on paper pierced with a bullet shot by his friend, Robert Beck (born Towson, Maryland, 1959). As a young artist who arrived in New York in the late 1970s, Moffett was inspired by more-established colleagues, including Alice Aycock, Lynda Benglis, and Elizabeth Murray, whose post-Minimalist work resonated with what he calls his "fractured formalist impulses." Taking this intergenerational artistic milieu as its point of departure, this exhibition brings together works by artists whose output subverts a rigorous formalism through references to subjectivity, narrative, and process.
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