Rania Rangou: How to blue the yellow Or The Idea of Things
Guided by Plato's 鈥榯heory of ideas鈥, the concept of things presented by the artist is that of ideal forms, ideas as realities, 鈥渢rue beings,鈥 as opposed to their appearances and imperfect representations in the sensory world.
The artistic language of Rania Rangou unfolds at the intersection of painting and the experience of new media. Constantly experimenting with media and form, Rangou navigates a hybrid space where reality is both deconstructed and reconstructed. The real is not neutralized, but its forms are reinscribed within a new, enigmatic idol, something that exists as both this and that, here and elsewhere. This is not fantasy, but a coupling of the real with the unreal, the unconscious with the conscious.
The surprise, the dream, the paradox and the enigma that emerge from her images depict a moment of confrontation: the self facing itself, its questions, its thoughts, its inner needs and divisions, perhaps suspended at a crossroads, searching for its own personal truth.
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Guided by Plato's 鈥榯heory of ideas鈥, the concept of things presented by the artist is that of ideal forms, ideas as realities, 鈥渢rue beings,鈥 as opposed to their appearances and imperfect representations in the sensory world.
The artistic language of Rania Rangou unfolds at the intersection of painting and the experience of new media. Constantly experimenting with media and form, Rangou navigates a hybrid space where reality is both deconstructed and reconstructed. The real is not neutralized, but its forms are reinscribed within a new, enigmatic idol, something that exists as both this and that, here and elsewhere. This is not fantasy, but a coupling of the real with the unreal, the unconscious with the conscious.
The surprise, the dream, the paradox and the enigma that emerge from her images depict a moment of confrontation: the self facing itself, its questions, its thoughts, its inner needs and divisions, perhaps suspended at a crossroads, searching for its own personal truth.