ARTISTS
Raw Emotion
'Raw Emotion' asks us to feel before we understand, to react before we reflect. It is an encounter with instinct鈥攊mmediate, visceral, and unfiltered.
Gathering nearly thirty works, the exhibition brings together artists not through style or movement, but through urgency: a shared impulse to make emotion visible, tangible, and undeniable.
Featuring works by Pablo Picasso, Joan Mir贸, Jean Dubuffet, Hans Hartung, Antoni T脿pies, Pierre Soulages, Karel Appel, Kazuo Shiraga, Antonio Saura, Sam Francis, John Chamberlain, Hermann Nitsch, Keith Haring, Georg Baselitz, Manolo Vald茅s, Fabienne Verdier, Pieter Obels, Anselm Reyle, and Andy Denzler, Raw Emotion spans generations and geographies, yet speaks in a single, uncompromising voice.
Each work opens a different path into feeling鈥攖hrough colour, silence, gesture, material, or line. These are not representations of emotion, but its raw imprint鈥攖races of an inner state revealed in the urgency of a brushstroke, the weight of a gesture, or the tension held within a composition.
'Raw Emotion' is not a subject. It is a state鈥攁 refusal to mediate, rationalise, or soften. These works do not describe emotion. They transmit it鈥攊mmediate, unfiltered, and profoundly human.
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'Raw Emotion' asks us to feel before we understand, to react before we reflect. It is an encounter with instinct鈥攊mmediate, visceral, and unfiltered.
Gathering nearly thirty works, the exhibition brings together artists not through style or movement, but through urgency: a shared impulse to make emotion visible, tangible, and undeniable.
Featuring works by Pablo Picasso, Joan Mir贸, Jean Dubuffet, Hans Hartung, Antoni T脿pies, Pierre Soulages, Karel Appel, Kazuo Shiraga, Antonio Saura, Sam Francis, John Chamberlain, Hermann Nitsch, Keith Haring, Georg Baselitz, Manolo Vald茅s, Fabienne Verdier, Pieter Obels, Anselm Reyle, and Andy Denzler, Raw Emotion spans generations and geographies, yet speaks in a single, uncompromising voice.
Each work opens a different path into feeling鈥攖hrough colour, silence, gesture, material, or line. These are not representations of emotion, but its raw imprint鈥攖races of an inner state revealed in the urgency of a brushstroke, the weight of a gesture, or the tension held within a composition.
'Raw Emotion' is not a subject. It is a state鈥攁 refusal to mediate, rationalise, or soften. These works do not describe emotion. They transmit it鈥攊mmediate, unfiltered, and profoundly human.
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