黑料不打烊

Eli Klein Gallery is delighted to present Renew - A Recent Survey in Chinese Contemporary Photography, a group exhibition of 10 Chinese contemporary artists representing a diverse range of generations, featuring 18 works that aim to update and reimagine the medium of photography, as well as the relationship between the Photographers, their Ways of Seeing, and the Photographs鈥攁ll within the current socio-political and technological climate. 

Photography, despite countless rounds of technological updates, has, at its core, always remained one of the most accessible and prominent mediums to freeze the present and immortalize the past. While Nic茅phore Ni茅pce, one of the pioneering fathers of photography, considered his invention to work as an 鈥渁rtificial eye,鈥� what the medium is capable of expressing has long surpassed simply likeness and accuracy. Featured in this exhibition are a multitude of explorations that expand and reinvent the definition of photography and contemplate their relationships with society as a whole, as well as with individuals. Observed in the exhibition are social events as grand as war, civic movements, and鈥攊n the most recent case鈥攁 pandemic, as well as personal and intimate narratives as delicate as sexuality, relationships, and cultural alienation. 

With their unique artistic lexica, Liu Bolin and Cai Dongdong comment on the way individuality disappears behind the larger cultural habitat. Liu Bolin, fallen invisible behind the two defining public structures of the modern world in Russian Magazine Rack and Supermarket in Pyongyang, contrasts with Cai Dongdong鈥檚 approach to his pieces, On Fire and Theater, which highlights the intimate qualities of everyday photography and the tactility of space and touch. Therefore, the question becomes, when is one forced to disappear, and when does one choose to disappear? Along the veins of the quest for a place in the world, Ye Funa and Zeng Han tackle the issue from a different angle: as opposite as their works seem upon first glance, their explorations in Chinese cultural phenomena and iconography echo each other, with hints of deconstructive emphasis on an 鈥淚nside-Out鈥� approach to the world. Zeng Han鈥檚 Echo of Shanshui series homages ancient Chinese landscape paintings, which center around nurturing a personal relationship with nature, and expressing the sense of reverent intimacy towards it through art. Ye Funa reflects on the tension between China鈥檚 conservative social climate and the new generation鈥檚 anxiety to break free from it. Referencing pop-culture iconography, she concocted up utopias of subculture in her pieces, Subspecies - 30 Hatsune Miku and Another Dream. The contrast between the glamorously dressed individuals against the outdated backdrop leads us to question the cursory arc of popular culture, from inception to obsolescence.