黑料不打烊

This summer, L茅vy Gorvy will inaugurate its new global initiative Reveal, an ongoing series of single-work focus exhibitions devoted to postwar and contemporary masterpieces, accompanied by in-depth contextual materials and educational programming both in its spaces and online. The first Reveal exhibition will open at L茅vy Gorvy Hong Kong on July 7, 2020: Jean-Michel Basquiat: Royalty, Heroism, and the Streets brings a rare and exceptional painting by Jean-Michel Basquiat from his breakthrough year of 1982 and is the gallery鈥檚 first presentation in Asia of the artist鈥檚 work.

On view through September 10, Jean-Michel Basquiat: Royalty, Heroism, and the Streets will be presented at the Hong Kong space in conjunction with an exhibition of major works by French artist Pierre Soulages.

Basquiat鈥檚 Untitled (1982) is an electrifying portrait of a Black hero figure standing proud amidst the chaos of abstracted painterly form and color. The canvas is one of Basquiat鈥檚 most impressive and important works, part self-portrait, part idol, part dream image, part nightmare vision. Untitled is one of famous trio of large-scale paintings on the theme of the prophet that Basquiat made in 1982, the pivotal year of the artist鈥檚 meteoric rise to international stardom. Supported by his first dealer Annina Nosei, who provided him with his first supply of high-quality working materials and a dedicated space to paint, Basquiat was able in 1982 to realize for the first time an ever-more extraordinary sequence of hauntingly powerful paintings depicting what he described as 鈥渞oyalty, heroism, and the streets.鈥�

The vast majority of paintings that Basquiat made during this period depict a lone Black figure as hero. Throughout 1982 and afterwards, these figures began to function like talismans or spiritual guides within an ever-widening personal mythology that the artist wove into his art. Some works from this time appear to draw upon an inner world populated by saints, prophets, and ghosts. The Basquiat painting Untitled on view at L茅vy Gorvy Hong Kong falls into this category, presenting the viewer with the artist鈥檚 omnipotent, embattled alter ego.

In the summer of 1982, Basquiat began a trilogy of proxy self-portraits on the theme of the prophet that included Untitled. Distinctly totemic, the inner anatomy these figures is sometimes visible, as if seen via an x-ray. Suggesting an artist-as-seer, these manifestations of Basquiat鈥檚 psyche give form to his self-image, radiating energy and psychic power. With its semi-abstract composition of colorful brushwork, Untitled fuses self-portraiture with the gestural style of America鈥檚 leading Abstract Expressionist masters, Jackson Pollock and Willem de Kooning, revealing Basquiat鈥檚 deep and uniquely astute engagement of both art history and street life. The result is an expressive masterpiece from a defining moment in Basquiat鈥檚 career that L茅vy Gorvy is proud to exhibit for the first time in Asia.

鈥淲e are excited to launch Reveal, a new series of focused exhibitions that will bring major works of art to our galleries around the world,鈥� says Brett Gorvy. 鈥淎t a time when travel is heavily restricted, we look to engage with collectors and the public on the ground while simultaneously connecting to a global audience using our digital platforms to introduce these preeminent artists and their masterworks. We are proud to start this program with Jean-Michel Basquiat鈥檚 Untitled (1982). Basquiat鈥檚 work feels incredibly relevant and alive today. In Untitled, Basquiat presents himself as a prophet and seer. His raw emotion and the spontaneity of his brushwork conveys an emotive power that seems especially significant to our times.鈥�