黑料不打烊


Reversals

Nov 11, 2022 - Dec 11, 2022

The contemporary and conceptual richness of visual arts leads to the possibility of using many adjectives, adverbs, or metaphors to evaluate an artistic piece. Aesthetics becomes a research topic in itself.

From a radical time position, a group of artists alter traditional ideas of representation and explore the importance of destabilizing canons鈥 conventional scenes; while others select an image, a piece of the past that will serve as the basis for future new work. Both locate the 鈥渧anishing points鈥 and mark the position of the horizon, manipulating the elements on the scene to begin to reveal an original image that will soon be reconstructed into a new piece.

Reversals refers to a back-and-forth process in the artwork. While we usually might think of developing a painting or image from raw materials and displaying them in an image that has been already created, the processes in Galer铆a Azur Berlin鈥檚 new exhibition suggest the opposite: The deconstruction of the image found through forced error, gaming or sabotage, takes the image down in a different and challenging path.


The contemporary and conceptual richness of visual arts leads to the possibility of using many adjectives, adverbs, or metaphors to evaluate an artistic piece. Aesthetics becomes a research topic in itself.

From a radical time position, a group of artists alter traditional ideas of representation and explore the importance of destabilizing canons鈥 conventional scenes; while others select an image, a piece of the past that will serve as the basis for future new work. Both locate the 鈥渧anishing points鈥 and mark the position of the horizon, manipulating the elements on the scene to begin to reveal an original image that will soon be reconstructed into a new piece.

Reversals refers to a back-and-forth process in the artwork. While we usually might think of developing a painting or image from raw materials and displaying them in an image that has been already created, the processes in Galer铆a Azur Berlin鈥檚 new exhibition suggest the opposite: The deconstruction of the image found through forced error, gaming or sabotage, takes the image down in a different and challenging path.


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Karl-Marx-Allee 62 Berlin, Germany 10243

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