Ruth Beraha: We will name her Tempest
The title 鈥淲e will name her Tempest鈥 recalls a destructive but also purifying event that is yet to come. It is magnificent and terrible at the same time, something that is at once devastating and renewing.
The exhibition is the result of a reflection on the dominant position of images in our societies. It stems from the artist鈥檚 desire to escape the systemic power of the gaze.
The public moves among the remains of an imaginary place of worship. A metal skeleton recalls the architecture of a cathedral in ruin, within which there are voices, songs and apparitions of visual works. The desire of the artist to escape from the abusive power of images is expressed through a series of sound and sculptural installations, typical of an iconoclastic dystopia.
The title 鈥淲e will name her Tempest鈥 recalls a destructive but also purifying event that is yet to come. It is magnificent and terrible at the same time, something that is at once devastating and renewing.
The exhibition is the result of a reflection on the dominant position of images in our societies. It stems from the artist鈥檚 desire to escape the systemic power of the gaze.
The public moves among the remains of an imaginary place of worship. A metal skeleton recalls the architecture of a cathedral in ruin, within which there are voices, songs and apparitions of visual works. The desire of the artist to escape from the abusive power of images is expressed through a series of sound and sculptural installations, typical of an iconoclastic dystopia.