Sheila Hicks: 50 Years
Featuring more than 90 of her most important works, including a major installation of a work on loan from Target's headquarters in Minneapolis displayed in an entirely new iteration, this exhibition offers insight into Hicks's thinking, her processes, and her approach to materials, both fibers and found objects. The project reveals the continuities between the artist's small weavings, and free-standing wrapped sculptures, and a colossal 20-foot high work suspended from ceiling and cascading from wall. Hicks's exceptional body of work blurs boundaries between art, design, and architecture just as deftly as it crisscrosses cultures.
Born in Hastings, Nebraska in 1934 and a resident of Paris since 1964, Hicks is a pioneering figure noted for small woven works and public commissions whose structures are built of color and texture. Independent in spirit and itinerant in practice, she deliberately and provocatively engages what are often considered mutually exclusive domains, rethinking and pushing the limits of generally accepted contexts, conditions, and frameworks. These include distinct objects and temporal, performative actions, studio works and commissions for public buildings, design for industrial serial production in Germany, France, Japan and Sweden, and hand weaving in artisanal workshops in Mexico, Chile, India, Morocco, and South Africa.
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Featuring more than 90 of her most important works, including a major installation of a work on loan from Target's headquarters in Minneapolis displayed in an entirely new iteration, this exhibition offers insight into Hicks's thinking, her processes, and her approach to materials, both fibers and found objects. The project reveals the continuities between the artist's small weavings, and free-standing wrapped sculptures, and a colossal 20-foot high work suspended from ceiling and cascading from wall. Hicks's exceptional body of work blurs boundaries between art, design, and architecture just as deftly as it crisscrosses cultures.
Born in Hastings, Nebraska in 1934 and a resident of Paris since 1964, Hicks is a pioneering figure noted for small woven works and public commissions whose structures are built of color and texture. Independent in spirit and itinerant in practice, she deliberately and provocatively engages what are often considered mutually exclusive domains, rethinking and pushing the limits of generally accepted contexts, conditions, and frameworks. These include distinct objects and temporal, performative actions, studio works and commissions for public buildings, design for industrial serial production in Germany, France, Japan and Sweden, and hand weaving in artisanal workshops in Mexico, Chile, India, Morocco, and South Africa.
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