The 2023 Western Exhibitions Drawing Biennial
Western Exhibitions is thrilled to present the second Western Exhibitions Drawing Biennial, a celebration of the medium of drawing in many expanded mutations. Contributions by gallery and affiliated artists confirm the gallery鈥檚 commitment to drawing and works on paper and the varied approaches on view 鈥 from schematic to free-form, in-your-face to speculative, abstract to figurative 鈥 will capture the current state of contemporary drawing practices while placing a focus on gallery artists鈥 core concerns of personal narratives and cosmologies, identity and gender, sexuality, pattern and exuberance, all with a keen attention to materiality. The inaugural WXDB, in 2021, presented multiple works from each artist. This iteration is different: participating artists will present just one or two pieces 鈥 some created specifically for this show, others pulled deep from within the artist鈥檚 archive 鈥 to concentrate the viewer鈥檚 focus and reward careful looking. By continuing the idea of a Drawing Biennial, Western Exhibitions stakes a claim that drawings are to be lauded as much as painting, sculpture, and any other medium, as the gallery reveres the handmade, the tactility, the immediacy of drawing. From the essay by Shannon R. Stratton, commissioned by the gallery for the 2021 show: 鈥淒rawing is space to make visible the contents that make us, to make material, and then examine, those qualities that are much more complex than the linguistic code applied to them.鈥
Critic Erin Toale reviewed the inaugural Western Exhibitions Drawing Biennial in New City, expertly capturing the gallery鈥檚 devotion to the practice of drawing:
Drawing. A medium that is foundational, yet often relegated to the planning stages: just a sketch, rarely the main event or finished product, something unearthed after the death of an artist or architect to demonstrate their rendering accuracy. This biennial, however, is not drawing as a first draft, a prompt, or the beginning of something. This is the gallery declaring its commitment to drawing in a public ceremony. This is the evolving mission and history of the space as told through multiple panoramic storyboards, each artist with a vignette contributing to the overall narrative.
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Western Exhibitions is thrilled to present the second Western Exhibitions Drawing Biennial, a celebration of the medium of drawing in many expanded mutations. Contributions by gallery and affiliated artists confirm the gallery鈥檚 commitment to drawing and works on paper and the varied approaches on view 鈥 from schematic to free-form, in-your-face to speculative, abstract to figurative 鈥 will capture the current state of contemporary drawing practices while placing a focus on gallery artists鈥 core concerns of personal narratives and cosmologies, identity and gender, sexuality, pattern and exuberance, all with a keen attention to materiality. The inaugural WXDB, in 2021, presented multiple works from each artist. This iteration is different: participating artists will present just one or two pieces 鈥 some created specifically for this show, others pulled deep from within the artist鈥檚 archive 鈥 to concentrate the viewer鈥檚 focus and reward careful looking. By continuing the idea of a Drawing Biennial, Western Exhibitions stakes a claim that drawings are to be lauded as much as painting, sculpture, and any other medium, as the gallery reveres the handmade, the tactility, the immediacy of drawing. From the essay by Shannon R. Stratton, commissioned by the gallery for the 2021 show: 鈥淒rawing is space to make visible the contents that make us, to make material, and then examine, those qualities that are much more complex than the linguistic code applied to them.鈥
Critic Erin Toale reviewed the inaugural Western Exhibitions Drawing Biennial in New City, expertly capturing the gallery鈥檚 devotion to the practice of drawing:
Drawing. A medium that is foundational, yet often relegated to the planning stages: just a sketch, rarely the main event or finished product, something unearthed after the death of an artist or architect to demonstrate their rendering accuracy. This biennial, however, is not drawing as a first draft, a prompt, or the beginning of something. This is the gallery declaring its commitment to drawing in a public ceremony. This is the evolving mission and history of the space as told through multiple panoramic storyboards, each artist with a vignette contributing to the overall narrative.
Artists on show
- Andrew Hostick
- Aya Nakamura
- Cathrine Whited
- Courttney Cooper
- Dan Attoe
- Deb Sokolow
- Dutes Miller
- Edie Fake
- Elijah Burgher
- Erin Washington
- Geoffrey Todd Smith
- Jenny Crowe
- Jessica Campbell
- Journie Cirdain
- Julia Schmitt Healy
- Lauren Wy
- Lilli Carré
- Michael Pellew
- Rachel Niffenegger
- Richard Hull
- Robyn O'Neil
- Ruby T
- Ryan Travis Christian
- Stan Shellabarger
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Each artist has one to three examples, in such a broad range of styles that if you can鈥檛 find something of interest here, that鈥檚 probably on you.
The gallery celebrates the most foundational of art forms.