ARTISTS
The Dark, Too, Blooms and Sings
UTA Artist Space LA is pleased to announce The dark, too, blooms and sings, an exhibition featuring new work from the Yale School of Art Photography MFA Class of 2022. Curated by artist and Yale MFA alumna Genevieve Gaignard, the exhibition highlights photography, sculpture, and video from artists Emily Barresi, Dylan Beckman, Amartya De, Anabelle DeClement, Eileen Emond, Ian Kline, Chinaedu Nwadibia, Brian Orozco, Rosa Polin, and Jessica Tang.
Gregory Crewdson, Director of Graduate Studies in Photography, states, 鈥淭he work represented here is widely varied, far reaching in sensibilities, stories, and points of view, using a vast collection of mediums. And yet, the show as a whole feels entirely cohesive, like a series of fountains fed by the same source. There is something beautiful, sad, and simultaneously inspiring and hopeful, in witnessing this particular group of young artists, at this time in history, grappling with a restrictive screen reality, and expressing something inherently internal about the world, its landscapes and inhabitants, and their own identities within that.鈥�
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UTA Artist Space LA is pleased to announce The dark, too, blooms and sings, an exhibition featuring new work from the Yale School of Art Photography MFA Class of 2022. Curated by artist and Yale MFA alumna Genevieve Gaignard, the exhibition highlights photography, sculpture, and video from artists Emily Barresi, Dylan Beckman, Amartya De, Anabelle DeClement, Eileen Emond, Ian Kline, Chinaedu Nwadibia, Brian Orozco, Rosa Polin, and Jessica Tang.
Gregory Crewdson, Director of Graduate Studies in Photography, states, 鈥淭he work represented here is widely varied, far reaching in sensibilities, stories, and points of view, using a vast collection of mediums. And yet, the show as a whole feels entirely cohesive, like a series of fountains fed by the same source. There is something beautiful, sad, and simultaneously inspiring and hopeful, in witnessing this particular group of young artists, at this time in history, grappling with a restrictive screen reality, and expressing something inherently internal about the world, its landscapes and inhabitants, and their own identities within that.鈥�
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