Torvald Moseid: The Dream Ballad
Draumkvedet is Norway鈥檚 best-known medieval ballad. The story takes place during the dark time of the year. The main protagonist, Olav 脜steson, falls asleep on Christmas Eve only to wake up on the twelfth day of Christmas, Epiphany. In his dream, Olav travels into the afterlife, and in the poem, tells about his experiences on the journey.
From the time when Draumkvedet was 鈥榙iscovered鈥 in 脴vre-Telemark and written down in the 1840s, several artists have drawn inspiration from it. One of these is Torvald Moseid (1917鈥2000), whose monumental embroidery frieze holds a unique position. In the 54-metre-long Draumkvedet (1980鈥93), Moseid presents his own interpretation of the dream poem. Embroidered by hand, the work draws inspiration from Norwegian folk-art, Byzantine art, and the world-famous Bayeux Tapestry.
In 2016, Moseid鈥檚 Draumkvedet was given to S酶rlandets Kunstmuseum by the telecommunications company Telenor, along with the work Orpheus and Eurydice (1977鈥1985), previously deposited in the museum. Moseid was born and raised at Byglandsfjord in Setesdal, and it was therefore natural for two of his chief works to be added to the museum鈥檚 collection.
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Draumkvedet is Norway鈥檚 best-known medieval ballad. The story takes place during the dark time of the year. The main protagonist, Olav 脜steson, falls asleep on Christmas Eve only to wake up on the twelfth day of Christmas, Epiphany. In his dream, Olav travels into the afterlife, and in the poem, tells about his experiences on the journey.
From the time when Draumkvedet was 鈥榙iscovered鈥 in 脴vre-Telemark and written down in the 1840s, several artists have drawn inspiration from it. One of these is Torvald Moseid (1917鈥2000), whose monumental embroidery frieze holds a unique position. In the 54-metre-long Draumkvedet (1980鈥93), Moseid presents his own interpretation of the dream poem. Embroidered by hand, the work draws inspiration from Norwegian folk-art, Byzantine art, and the world-famous Bayeux Tapestry.
In 2016, Moseid鈥檚 Draumkvedet was given to S酶rlandets Kunstmuseum by the telecommunications company Telenor, along with the work Orpheus and Eurydice (1977鈥1985), previously deposited in the museum. Moseid was born and raised at Byglandsfjord in Setesdal, and it was therefore natural for two of his chief works to be added to the museum鈥檚 collection.