Underneath Everything: Humility and Grandeur in Contemporary Ceramics
鈥淐lay is the humblest of materials. It is underneath everything鈥ou can manipulate a world with clay. It is the foundation of sculpture.鈥 鈥Theaster Gates
ABOUT THE EXHIBITION
During an artist lecture in December 2021, Theaster Gates evoked a fascinating paradox in contemporary ceramics practice. Clay is the humblest of materials, often overlooked and more readily associated with a morning cup of coffee than with the international art world. But it is underneath everything. There is an expansiveness to work made or based in this medium, as artists push the limitations of clay, attaching layers of conceptual meaning and playing with the boundaries between ceramics and other media including film, photography, painting, performance, and installation.
This exhibition features artworks that honor the humility of the medium while simultaneously evoking a sense of grandeur and possibility.
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鈥淐lay is the humblest of materials. It is underneath everything鈥ou can manipulate a world with clay. It is the foundation of sculpture.鈥 鈥Theaster Gates
ABOUT THE EXHIBITION
During an artist lecture in December 2021, Theaster Gates evoked a fascinating paradox in contemporary ceramics practice. Clay is the humblest of materials, often overlooked and more readily associated with a morning cup of coffee than with the international art world. But it is underneath everything. There is an expansiveness to work made or based in this medium, as artists push the limitations of clay, attaching layers of conceptual meaning and playing with the boundaries between ceramics and other media including film, photography, painting, performance, and installation.
This exhibition features artworks that honor the humility of the medium while simultaneously evoking a sense of grandeur and possibility.
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