Unframed: Leis, Tabaka and Ro啪anskait臈
The exhibition focuses on the works of three Baltic women artists 鈥 Malle Leis (1940鈥2017), Maija Tabaka (1939) and Marija Teres臈 Ro啪anskait臈 (1933鈥2007) 鈥 in the late Soviet era of the 1970s and 1980s. All three of the artists challenged contemporary art discourses through non-conventional approaches to self-representation, ways of creating space and reflections on being artists.
Leis, Tabaka and Ro啪anskait臈 were all exceptional artists in Soviet-occupied Estonia, Latvia and Lithuania. The education they got from art institutes in Tallinn, Riga and Vilnius in the 1950s and 1960s was similar in terms of its ideological and aesthetic principles, but soon they all moved beyond those principles: not necessarily by directly opposing their current art discourses, but by navigating them in ways that shifted and blurred the meanings of seemingly straightforward motifs and gestures.
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The exhibition focuses on the works of three Baltic women artists 鈥 Malle Leis (1940鈥2017), Maija Tabaka (1939) and Marija Teres臈 Ro啪anskait臈 (1933鈥2007) 鈥 in the late Soviet era of the 1970s and 1980s. All three of the artists challenged contemporary art discourses through non-conventional approaches to self-representation, ways of creating space and reflections on being artists.
Leis, Tabaka and Ro啪anskait臈 were all exceptional artists in Soviet-occupied Estonia, Latvia and Lithuania. The education they got from art institutes in Tallinn, Riga and Vilnius in the 1950s and 1960s was similar in terms of its ideological and aesthetic principles, but soon they all moved beyond those principles: not necessarily by directly opposing their current art discourses, but by navigating them in ways that shifted and blurred the meanings of seemingly straightforward motifs and gestures.
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