ARTISTS
痴补濒诲茅蝉 in Monaco
Opera Gallery is proud to present 鈥�痴补濒诲茅蝉 in Monaco鈥�, a luminous exhibition of works by Manolo 痴补濒诲茅蝉, one of Spain鈥檚 most celebrated contemporary artists. This exhibition brings together a constellation of paintings and sculptures that traverse centuries of art history while remaining unmistakably rooted in the present moment.
Revered for his bold reinterpretations of art historical imagery and motifs, this exhibition showcases the inspiration he draws from reference points ranging from Diego Vel谩zquez鈥檚 Las meninas (1656) to Henri Matisse鈥檚 Femme au chapeau(1905).
In this exhibition, 痴补濒诲茅蝉鈥檚 dialogue with history takes on fresh resonance. Monumental heads adorned with delicate butterflies crafted from Murano glass, resin, and steel hover between gravitas and lightness. Nearby, oil and burlap collages carry the trace of the artist鈥檚 hand, their textures echoing a long tradition of painterly surface while resisting easy categorisation.
What emerges across these works is a meditation on identity and permanence; how figures endure through time, how form can be both enduring and ephemeral.
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Opera Gallery is proud to present 鈥�痴补濒诲茅蝉 in Monaco鈥�, a luminous exhibition of works by Manolo 痴补濒诲茅蝉, one of Spain鈥檚 most celebrated contemporary artists. This exhibition brings together a constellation of paintings and sculptures that traverse centuries of art history while remaining unmistakably rooted in the present moment.
Revered for his bold reinterpretations of art historical imagery and motifs, this exhibition showcases the inspiration he draws from reference points ranging from Diego Vel谩zquez鈥檚 Las meninas (1656) to Henri Matisse鈥檚 Femme au chapeau(1905).
In this exhibition, 痴补濒诲茅蝉鈥檚 dialogue with history takes on fresh resonance. Monumental heads adorned with delicate butterflies crafted from Murano glass, resin, and steel hover between gravitas and lightness. Nearby, oil and burlap collages carry the trace of the artist鈥檚 hand, their textures echoing a long tradition of painterly surface while resisting easy categorisation.
What emerges across these works is a meditation on identity and permanence; how figures endure through time, how form can be both enduring and ephemeral.
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