Vanessa Beecroft: Broken Arm
Wilding Cran Gallery is pleased to present Broken Arm, an exhibition of paintings and sculptures by Vanessa Beecroft.
Since her first performance in 1993, Vanessa Beecroft has shaped performance art and influenced modern representations of the female body and socio-political discourses in the contemporary art world. Throughout her career, Beecroft has produced 95 live performances and dozens of international exhibitions at major museums, airports, palazzos and botanical gardens. These performances have centered around the rigorous Rules of Non-Engagement she devised to guide her mostly naked and female performers: Do Not Talk/Do Not Interact With Anyone/Do Not Whisper/Do Not Smile/Be Natural/Be Detached. Curator and gallerist Jeffrey Deitch, an early supporter of Beecroft鈥檚 work, has described her as one of the 鈥渧ery rare artists who come up with a whole new concept of how to make a work of art and expand our sense of what a work of art can be.鈥
And yet, 鈥減ainting and sculpture is what I always wanted to do,鈥 Beecroft recently told me. And so Beecroft returned to her studio in the mid-2010s in between performances and other engagements to resume making the figurative paintings and sculptures she鈥檇 abandoned as a central practice at age 23 while still a student at art school.
鈥淎t school,鈥 she continued, 鈥淚 felt my work, the figurative drawings that I was doing, was not avant-garde enough and I felt ashamed. I still feel embarrassed and uneasy about creating things that are so clearly tangible. And yet 鈥 I always wanted, since the beginning, to create a different world from scratch, out of nothing.鈥
Centered around her looming and vulnerable nine-foot sculpture Large Body (2024), the surrounding paintings and smaller sculptures in the exhibition were selected by Wilding Cran Gallery from dozens of figurative works Beecroft produced between 2013 and the present.
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Wilding Cran Gallery is pleased to present Broken Arm, an exhibition of paintings and sculptures by Vanessa Beecroft.
Since her first performance in 1993, Vanessa Beecroft has shaped performance art and influenced modern representations of the female body and socio-political discourses in the contemporary art world. Throughout her career, Beecroft has produced 95 live performances and dozens of international exhibitions at major museums, airports, palazzos and botanical gardens. These performances have centered around the rigorous Rules of Non-Engagement she devised to guide her mostly naked and female performers: Do Not Talk/Do Not Interact With Anyone/Do Not Whisper/Do Not Smile/Be Natural/Be Detached. Curator and gallerist Jeffrey Deitch, an early supporter of Beecroft鈥檚 work, has described her as one of the 鈥渧ery rare artists who come up with a whole new concept of how to make a work of art and expand our sense of what a work of art can be.鈥
And yet, 鈥減ainting and sculpture is what I always wanted to do,鈥 Beecroft recently told me. And so Beecroft returned to her studio in the mid-2010s in between performances and other engagements to resume making the figurative paintings and sculptures she鈥檇 abandoned as a central practice at age 23 while still a student at art school.
鈥淎t school,鈥 she continued, 鈥淚 felt my work, the figurative drawings that I was doing, was not avant-garde enough and I felt ashamed. I still feel embarrassed and uneasy about creating things that are so clearly tangible. And yet 鈥 I always wanted, since the beginning, to create a different world from scratch, out of nothing.鈥
Centered around her looming and vulnerable nine-foot sculpture Large Body (2024), the surrounding paintings and smaller sculptures in the exhibition were selected by Wilding Cran Gallery from dozens of figurative works Beecroft produced between 2013 and the present.
Artists on show
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Among them are Johan Creten at Perrotin in New York and Jordan Nassar at Anat Ebgi in Los Angeles.