ARTISTS
Verity-Jane Keefe: The Artist, The Community, The Council and The Philanthropist
The Artist, The Community, The Council and The Philanthropist is part soap-opera, part community radio play, set within a former Friends Institute now community centre and charity shop which is much loved but crumbling through managed decline.
The cast of characters who inhabit each scene include 鈥楾he Community鈥� which has shifted over time to become many, many people with different needs and priorities, 鈥楾he Council 1, 2, 3鈥� (The Higher Ups, The Swollen Middle and The Ground) and the bust of 鈥楾he Philanthropist鈥� who oversees and narrates the action despite being removed in recent times from its plinth to a new home underneath the microwave in the management office. Both the bust and the building have observed and lived through physical and social change, the decline of public services, bankruptcy, rats the size of actual rats, heart shaped chocolates, community ambition and a growing need for collectivity.
Verity-Jane Keefe鈥檚 collaborative artwork projects into the future, looking at the past from the present day. Written by the artist following a period of workshop activity with different community groups, the script centres on 鈥榰seful escapism鈥� to imagine alternative anti-paternalistic neighbourhood models 鈥� grassroots spaces of speculation and fantasy with one foot in the real. If the community was in charge what would they do? If there was no local authority what could happen? If everything genuinely collapsed into chaos how would we keep things afloat?
The episodic work is performed by Verity and a community cast. Recorded in the same studio as BBC Radio 4鈥檚 The Archers, and inspired by the long running place based soap, Verity shifts the focus to an urban, pseudo representation of place informed by archival research, conversation, observation and workshops. Connecting Eastside Projects and The Friends Institute on Moseley Road in Highgate, chapters 1鈥�3 will play amongst sculptural scenography as stage set across the gallery and chapter 4 in situ in the Friends Institute, next to The Philanthropist鈥檚 empty plinth.
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The Artist, The Community, The Council and The Philanthropist is part soap-opera, part community radio play, set within a former Friends Institute now community centre and charity shop which is much loved but crumbling through managed decline.
The cast of characters who inhabit each scene include 鈥楾he Community鈥� which has shifted over time to become many, many people with different needs and priorities, 鈥楾he Council 1, 2, 3鈥� (The Higher Ups, The Swollen Middle and The Ground) and the bust of 鈥楾he Philanthropist鈥� who oversees and narrates the action despite being removed in recent times from its plinth to a new home underneath the microwave in the management office. Both the bust and the building have observed and lived through physical and social change, the decline of public services, bankruptcy, rats the size of actual rats, heart shaped chocolates, community ambition and a growing need for collectivity.
Verity-Jane Keefe鈥檚 collaborative artwork projects into the future, looking at the past from the present day. Written by the artist following a period of workshop activity with different community groups, the script centres on 鈥榰seful escapism鈥� to imagine alternative anti-paternalistic neighbourhood models 鈥� grassroots spaces of speculation and fantasy with one foot in the real. If the community was in charge what would they do? If there was no local authority what could happen? If everything genuinely collapsed into chaos how would we keep things afloat?
The episodic work is performed by Verity and a community cast. Recorded in the same studio as BBC Radio 4鈥檚 The Archers, and inspired by the long running place based soap, Verity shifts the focus to an urban, pseudo representation of place informed by archival research, conversation, observation and workshops. Connecting Eastside Projects and The Friends Institute on Moseley Road in Highgate, chapters 1鈥�3 will play amongst sculptural scenography as stage set across the gallery and chapter 4 in situ in the Friends Institute, next to The Philanthropist鈥檚 empty plinth.
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