William Kentridge: A poem that is not our own
Designed in close consultation with the artist, the exhibition showcases early graphic art and films from the 1980s and 1990s as well as examples of Kentridge鈥檚 more recent output, including the first adaptations for museum presentation of elements from The Head & The Load, which premiered at the Tate Modern, London, in the summer of 2018. A sumptuous production involving film projections, shadow play, and an ensemble of performers, the sprawling procession, which defies conventional genre boundaries, sheds light on a neglected chapter of history: Africa鈥檚 role in World War I. Taking up three exhibition floors at the Kunstmuseum Basel | Gegenwart, the presentation balances additional major video installations such as More Sweetly Play the Dance and Shadow Procession with selections from Kentridge鈥檚 graphic oeuvre properly speaking.
Recommended for you
Designed in close consultation with the artist, the exhibition showcases early graphic art and films from the 1980s and 1990s as well as examples of Kentridge鈥檚 more recent output, including the first adaptations for museum presentation of elements from The Head & The Load, which premiered at the Tate Modern, London, in the summer of 2018. A sumptuous production involving film projections, shadow play, and an ensemble of performers, the sprawling procession, which defies conventional genre boundaries, sheds light on a neglected chapter of history: Africa鈥檚 role in World War I. Taking up three exhibition floors at the Kunstmuseum Basel | Gegenwart, the presentation balances additional major video installations such as More Sweetly Play the Dance and Shadow Procession with selections from Kentridge鈥檚 graphic oeuvre properly speaking.
Artists on show
Contact details
Related articles
To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions.
Self-interrogation is central to the work of the South African artist, whose latest piece on show at the Kunstmuseum Basel poses a series of questions that get half-answered