黑料不打烊

In ArtAsiaPacific鈥檚 145 issue, we explore a constellation of artists who probe questions of temporality, identity, and place, challenging us to reconsider our relationship with the past and present, the local and global, the individual and collective.

The acclaimed photographer discusses his decades-long career capturing the city鈥檚 street life.

Outside of M+ Gallery in Hong Kong, there is one of the world鈥檚 largest media screens. The expansive, light-powered canvas comprises thousands of LEDs.

M+, Asia鈥檚 global museum of contemporary visual culture in the West Kowloon Cultural District (WestK) in Hong Kong, unveiled the new M+ Facade commission HK:PM (2025) by internationally acclaimed photographer Greg Girard.

When celebrated photographer Greg Girard landed in Tokyo in April 1976, he expected to spend only a few days in the Japanese capital.

Ridley Scott鈥檚 film adaptation of Blade Runner came out in 1982. It鈥檚 since become the blueprint for high-tech, neon-soaked dystopia and cyberpunk aesthetics: cities emblazoned with colourful billboards and 24-hour artificial light.

Ridley Scott鈥檚 film adaptation of Blade Runner came out in 1982. It鈥檚 since become the blueprint for high-tech, neon-soaked dystopia and cyberpunk aesthetics: cities emblazoned with colourful billboards and 24-hour artificial light. 

The exhibition is a who's who of the city's artists, with some surprising international inclusions.

Discover visual artists capturing the world at night. From neon-bathed cities to remote woodlands, these images are filled with mystery and stories waiting to be told.

Before Kowloon Walled City was demolished in 1994, its 300 interconnected buildings were home to 50,000 people

The Walled City of Kowloon in Hong Kong was demolished in 1994.

Canadian photographer Greg Girard (b. 1955) has long documented the changing face of Asia.