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Australian | 1992
From Gija Country in the Kimberley to inner city bars over east, and from the comfort of home to the secret life of birds, OLSEN Gallery...
Peter Schjeldahl, the great American art critic for The Village Voice, and now The New Yorker, once described the visceral experience of viewing the astonishing late works of Willem de Kooning at the Metropolitan.
Holly Greenwood observes the social and cultural dynamics of the pub with depth, detail, and an abiding affection.